Now showing on Branding Strategy Insider

By Mark Di Somma

Branding Strategy Insider

I’ve been a fan of the good people at Branding Strategy Insider for many years. Regular readers will know that I have quoted a number of the site’s contributors on a number of occasions. So I’m absolutely thrilled that they’ve chosen to pick up a number of my posts in recent days and to feature them on the site:

Creating a Powerful Brand Manifesto explains how and why every brand must be prepared to nail its colours to a church door;
A Brand that Discounts or a Discount Brand examines the fundamental difference between brands that use discounts strategically and those that practice “value” pricing;
Brand Advantage and the Reason for Buying looks at why brands need to be able to identify a reason for buying that provides buyers with sufficient incentive to chase a result;
Evolve or Transform? 17 Brand Factors examines the difference between what brands must do to evolve and how far brands must be prepared to go to transform.

Thoughts, reactions and comments to all of these articles are most welcome.

Nailing your opinions: creating a powerful brand manifesto

By Mark Di Somma

Pinning your opinions

On All Saint’s Day 1517, Martin Luther posted the 95 Theses on the door of Castle Church, sparking, in the eyes of many, what would become the Protestant Reformation. Whether or not he actually did post the Theses (of course there is historical debate) and what that generated are off-topic, but the action of pinning your colours to a statement of beliefs for all the world to see lies at the core of building and articulating an opinionated brand.

Brands build trust through behaviours. And behaviours should be based on clear principles. Those principles should bring your purpose to life by laying out the clear psychological guidelines within which your brand operates. They are, when done well, an inspiring précis of your organisation’s worldview.

Martin Lindstrom made the brand case for opinion for me in this post several years ago when he wrote: “The fact is that consumers are tiring of perfectly polished brands. Inoffensive brands. … Brands without well-defined opinions will find it increasingly difficult to gain traction in the market place. The challenge is to ensure that the opinions are in tune with the core values of the brand. That they are authentic, and not an opportunistic and superficial play for attention by deception.”

Diesel’s famous “Be Stupid” is one of my all-time favourites. It’s a wonderful mix of observation, grace, defiance, sarcasm, insight and counter-intuition that lays out Diesel’s anti-smart stance, including the fabulous assertion that “Stupid is the relentless pursuit of a regret-free life”. You’re left in no doubt as to Diesel’s abiding philosophy, and the case is put in such a way that the viewer is pretty much asked to choose one way or the other, stupid or smart.

So what’s the basis for a powerful manifesto? Jean-Claude Saade captured it nicely here with the thought that there are 7 doors to connection between people and brands:

• Shared values, such as peace, equality and liberty;
• Shared roots including religion, ethnicity, language, culture, citizenship, education, profession and geography;
• Shared fights, be they political, environmental or ethical;
• Shared pursuits such as wealth, power, information and notoriety;
• Shared lifestyle aspirations;
• Shared passions, including sports, arts, music and travel; and
• Shared preferences, including food, drinks, cars and clothing

What’s clear from Saade’s observation is that there are rich and diverse grounds for creating likeability. The challenge though doesn’t lie in finding your point of affinity. The hardest thing about creating a compelling manifesto is having your own take as a brand on that intense point of connection.

A powerful manifesto stems from a disruptive premise. And an inspiring narrative. My suggestion: Don’t write a piece of prose. Write a rallying cry in the media of your choice, with:
• The anger of a placard
• The commitment of a doctrine
• The beauty of a story
• The hope and excitement of a vivid dream
• The sense of a philosophy and
• The call to action of a direct response ad.

You’ve nailed your manifesto when it evokes one very, very simple response: “Couldn’t have said it better myself …”

Acknowledgements
Photo of “Church Door” by Acrylic Artist (Rodney Campbell) sourced from Flickr

When projects don’t stack: the fine art of understanding mistakes

By Mark Di Somma

When things go pear shaped

When a project doesn’t meet expectations, I’m fascinated by what gets asked, who does the asking and what, if anything, emerges as the key learning. My view is that we should treat projects that don’t go to plan not so much as wreckages but rather as breakages: they occur when the picture we have in our minds of what will occur shatters, splits or simply falls a different way than we had led ourselves to expect. That can mean something as elemental as having the wrong picture in the first place – or it can come down to developments that pulled things out of alignment.

Faced with picking up the pieces, here are 22 questions I use to try and get to the truth, and to move on:

1. What exactly went wrong? (What did not happen?)

2. How “wrong” was it – in the sense that how much did it differ from what we had told ourselves would happen?

3. How realistic was our prediction in the first place? (How did we arrive at that prediction?)

4. What did we do right throughout the project?

5. When did the quality change and what was the impact of that?

6. Even though we did things right, what didn’t happen that we expected to happen?

7. What did we base that expectation on? Was that reasonable?

8. Where did the biggest miscalculations occur? What did happen that took us by surprise?

9. Why were we not ready for that?

10. Who was most taken by surprise when things didn’t go to plan – and why?

11. What did we prompt people to do (or not do) that led to that occurring?

12. How did we seek to prompt customers to respond?

13. How quickly did we want them to respond? Why was that timeframe important?

14. If they did respond well and as expected, why did the initiative fail?

15. If they didn’t respond, why didn’t they do what we asked them to do? Because they didn’t want to do it, or because we didn’t provide enough incentive for them to do it quickly enough?

16. Who did we not reach that we should have?

17. Why were they not where we thought they would be? Or did we ignore them?

18. What did that cost us?

19. How did we react when we were taken by surprise?

20. Are we still working under the same miscalculations that saw this project fail?

21. Is everyone truly aware of what part their actions played in the project not hitting its targets? (Has everyone been told the truth about how much of the responsibility lies with them? None, some, a little, more …?)

22. How have we rewarded the people who took part so that they will feel motivated to do their best by the next project?

Acknowledgements
Photo of “Crazy hills of San Francisco” by Hakan Dahlstrom, sourced from Flickr

Don’t just provide reasons to buy. Change the reason for buying.

By Mark Di Somma

Change the reason for buyingIt’s tempting when your product all but parallels that of your competitors to be drawn into a meaningless war: a fight for market share that revolves around devaluing (looking to price the other guy out), trivial pursuit (nit-picking on features in a bid to show technical advantage) or overshadowing (spending up large in mainstream media in a bid to raise “awareness”).

The problem with chasing competitive preference is that brands spend far too much time focusing on the competitive aspects and far too little insight on identifying where the preferences could lie.

All three approaches above are looking to provide consumers with reasons to buy, but while they may change perceptions, they actually do little to change affinity. It’s a distinction that’s easily overlooked. Changing what consumers think of you for now does not automatically translate into a shift in how consumers feel about you – especially in the longer term. They may, as a result of the above actions, see you as offering them more value, they may like the fact that your product contains ingredient X, you may even feel more familiar to them – but unless you have the pockets and tenacity to maintain the fight, and unless you too are prepared to up the ante even further in response to competitor activity, advances are tenuous.

If there is still little to distinguish what you offer and what others offer in their minds, you have not dismissed substitution because you have not changed the equation in their heads. You may have convinced them temporarily that they are getting more from you than they’re getting from the other brand, but the comparison is still quantitative not qualitative.

A reason for buying, on the other hand, provides a buyer with an incentive to chase a result. And the lesson from brands like Moleskine is that when you change the outcome for consumers, you change who they prefer and why they prefer.

Finding that starts with a deceptively simple question for brand owners: What are we going to give our customers that will excite them? A discount is not exciting. Features are not exciting. Familiarity is not exciting. Labels, identities, colours, celebrity endorsements – none of them are exciting. They may be exciting to the people who create them or manage them.  But they are only of passing and functional interest to the man or woman in the aisle. They are just more ways to recognise. They explain.

I can’t even begin to imagine how many companies there are out there offering notebooks. The functional differences between those notebooks are non-existent, and yet Moleskine ties its products to a distinctive outcome that their audience craves. When you write in a Moleskine, you continue a tradition begun in a golden age of writing in Paris. You become part of a spirit that links to Hemingway and Picasso. Yes, that’s a beautiful and romantic story – but far more importantly, that feeling of inspired creation, of being in the moment and capturing something that will excite the world, is an outcome that every creative person treasures. It’s a ‘result’ that Moleskine has woven into every aspect of its business. They want their product to be more than something you write in. They want writing in a Moleskine to be an affirmation of the writer’s identity.

Starbucks changed the coffee market by convincing buyers not that they could have a nice(r) coffee, but that they could basically have the coffee of their dreams, served exactly the way they had always wanted it, in a place they loved to linger. When they stopped doing that, they quickly got into trouble.

Apple has consistently delivered people the most beautiful technology in the world (certainly by form, and for Macheads, also by performance).

Perhaps we should do away with the concept of competitive preference – and replace it instead with a mandate to find a competitive pleasure (result) that will then form the emotive basis for how the company does business. That’s because a distinctive and powerful outcome should also inspire and influence everything around it. Here are some examples:

  • Your purpose should define what you value most in all the world, and therefore what you are most seeking to achieve as a brand. (That goal should be a goal your consumers will be fascinated by.)
  • Your story should explain why you value what you value, the greatest result you want to achieve for your customers and what led you to pursue that
  • Your strategy should explain why and how your brand can deliver that result in a way that no-one can, or would dare
  • Your pricing should reflect what that special feeling is worth to the consumer

It’s not rocket science. When you deliver what people are most looking for, they will continue to look for it – and they will continue to pay for it. After all, why would they want to feel anything less?

More reading
In this post, I look at why I think the Moleskine story has succeeded

Acknowledgements
Photo of “Heart” by Seyed Mostafa Zamani, sourced from Flickr

8 ways to react when the knives come out

By Mark Di Somma

When the knives come out

Being non-popular is not the same as being unpopular. Brands that are non-popular are simply not prepared to do whatever it takes to court popular favour. They do their own thing, their own way – and look to attract cult followings via like minds. But brands that have become unpopular have lost likeability. That’s a disturbing development if you’re trying to be liked by as many people as possible.

The hardest thing about seeking to be liked is that we all do business today in an environment where criticism is ubiquitous. The ability for anyone with an internet connection to not just hold an opinion but to broadcast that opinion to the world is freedom of speech on a good day and freedom to abuse on another day. At a time when it’s easier than ever for others to get the knives out, the problem it seems to me has shifted for those on the receiving end. The dilemma these days is less about what do the critics think and rather, which criticisms should you act on and which are you better to brush off as beneath your dignity?

While every brand will quite rightly set its own guidelines, there are some clear principles that make sense to me in terms of meeting the balance between maintaining reputation and over-reacting:

1. Hold firm on your purpose, your worldview and your values.

2. Debate priorities, opinions and options.

3. Initiate or at least participate in conversations about matters that have been raised that you believe have not been properly explored and to which you believe you can bring a refreshing perspective.

4. Encourage suggestions, feedback and criticism of experiences and service. (As long as you’re prepared to reply stating what you’re going to do about what’s happened.)

5. Acknowledge and apologise for mistakes, errors of judgment, accidents and cases where you have not been fair or consistent.

6. Redress scaremongering, inaccuracies, speculations, lies – and sometimes comparison wars and competitor taunts.

7. Acknowledge, even applaud, a witty joke or satire at your expense (depending on its cleverness)

8. Ignore idiots.

Acknowledgements
Photo of “Case of kris daggers 1” by Marshall Astor, sourced from Flickr

Evolution or transformation? 17 key brand factors

By Mark Di Somma

What stays and what goes

No business these days can just sit pretty. But the extent and nature of changes confuses many. Brands evolve. Or die. But they must also retain something of what consumers know. Or they fade. So which is more important? And how should a brand act, when? I get asked about this a lot. So here are my takes on what must stay and what can go (sometimes):

Keep:

1. Your good name (in every sense) – it’s the thing people know you by. Unless of course you need to re-engineer your reputation or your old name doesn’t fit what you do anymore.

2. Your purpose – the ways you intend to change the world should remain an inspiring constant for staff and customers (providing it’s inspiring to start with, of course)

3. Your values – only change them if you’re going to make them more challenging

4. Your promises – trust is the basis for any brand’s success. Without that, you’re nothing.

5. Your principles – in today’s transparent markets, transgressions will be discovered. It’s just a question of time.

Consider changing:

6. The category you compete in – if the current category isn’t working for you, if you can’t achieve breakthrough in that space or if there is a disruption opportunity in another market, look for a different place to compete, or change the business model under which you compete.

7. How others must compete against you – look for ways to shift how you do business so that any reaction from a competitor disadvantages them by forcing them to work in ways and/or places where you have advantages.

8. Where you’re positioned – adjust your market position to put daylight between yourself and others.

9. Who you target – if your current market isn’t buying, go in search of new segments and/or change your current offerings to better meet the changing needs of your customers.

10. Your story – adjust your story to reflect the other changes in your business. Tell people a story that haven’t heard yet.

11. Your personality – to better fit with what people want. Bring an attitude that inspires and excites people.

12. Your language – visual and verbal, to better converse with the people you’re trying to reach. But be aware too that complete overhauls of your identity in low-attention sectors can literally see customers walking past your brand.

13. How people perceive you – use advertising and smart content marketing to give people different perspectives.

14. What you offer people – through improvements, upgrades and limited edition versions of your products

15. How people experience the brand – reach them through new channels and/or change the levels of service that you offer customers

16. How people access the brand – by giving them a value alternative to get them started or by offering them different ways to acquire what the brand offers.

17. What people feel they get for their money – particularly important in budget-conscious sectors. That doesn’t necessarily mean you discount. It can mean you have to demonstrate more actively why you’re worth what you’re worth through added features, improved performance, complementary offers etc.

Evolution vs transformation

The distinction between evolution and transformation lies in the extent of the changes rather than whether to change or not.

In the course of normal brand evolution, core beliefs and behaviours should remain constant but product lines, experiences and competitive approach need to keep pace with shifts across the marketplace. In this context, brands modernise but within a context that consumers clearly recognise.

A transformation process by contrast challenges the whole premise of the organisation and in so doing brings into question every aspect of the brand’s credo by requiring the business to redefine its ‘reason for value’. In this scenario, everything’s up for scrutiny including all the things that you might otherwise keep. The brand becomes something it has never been before by questioning everything it has previously held dear. This pulls the seat out from underneath everyone – but get it right, as organisations like IBM have done on a number of occasions, and new markets literally open up in front of you.

One thing we can safely assume: brands that don’t continue to change to the extent required of them (however radical that might be) must, in time, become extinct.

Acknowledgements
Photo of “Just Sit Back and Relax” by Vinoth Chandar, sourced from Flickr

The new dichotomy: Coke or cult?

By Mark Di Somma

Liked or if-you-like

Just want to pick up some excellent points raised by Carol Phillips in her post The Hostile Brand Strategy on Branding Strategy Insider. I’ve said for some time that the middle market is the muddle market – and that a more polemic approach by brands is, in my view, inevitable.

Carol’s analysis of hostile brands shows this burgeoning dichotomy in action, with even relatively mainstream brands like MINI-Cooper, Marmite and Hollister, increasingly playing hard to get. She has highlighted a sign of marketing in our times: the popularity contest vs the non-popularity contest.

I wonder though whether this is more than a schism between likeable and if-you-like brands. To me, it points to a radicalisation not just of attitude but also of availability, involvement and even access. Carol draws attention to the adage, “it’s better to mean something to somebody than everything to nobody”. I’m going to go one stage further and suggest that brands increasingly have to mean something to anyone or one thing to somebody. The middle ground between those positions is dying.

In the green corner – the likeable brands. Based on scale, globally focused, universally appealing, instantly recognisable. Huge, familiar, instantly findable, comforting.

In the red corner – the cult brands. Based on exclusivity, narrowly focused, unseen and unappealing to most, only recognised by those in the know. Polemic, difficult, hard to find, testing, deeply attractive to believers with a similar worldview. Cult brands are increasingly the speakeasies of consumerism. If you don’t play by their rules, you’re barred.

To me, this inclination towards one approach or the other is the continental drift of branding – and I expect it to accelerate in the years ahead as brands look for ways to encourage consumers to be more definite. Ubiquity versus unique. Engaging versus enraging. And, as Carol puts it so nicely, more and more versus defiantly less.

The marketers vs the cultrepreneurs.

However, I don’t think the ongoing challenge for brands behaving badly lies just in the behaviour itself – that’s relatively straightforward in a world looking for things to view. Rather, the challenge for polemic brands is to use their bad behaviour to their competitive and commercial advantage rather than simply to garner attention. Equally, likeable brands must find ways to continue to engage and compel consumers in the face of more and more radical plays for attention.

As the camps separate, and the Love to buy/Hate to buy stakes lift, the one word everyone needs to keep their eye on is “buy”. Because as another bad-boy brand, Stiff Records, used to delight in reminding all of us many years back: without that, it ain’t worth a _________.

Further reading:
Two leaders kissing. A killer app or a sex tape?

Acknowledgements:
Photo of “I’d Like to Give The World A Coke” by L. Allen Brewer, sourced from Flickr

You’re not just pitching to win the business (you’re there to decide if you want the business)

By Mark Di Somma

Who are you really pitching to?

The purpose of a face-to-face pitch is only partly to make the case for why you should be hired. The other part, the bigger part in my view, is that you’re looking to see behind the corporate face and to gauge the likelihood for mutual respect and profitability. Reciprocity. And in that sense, a pitch is always a two-way process – you’re judging whether you’re interested in doing business with them as much as they are judging their interest in you.

You should be watching – as much as you are being watched.

So many people forget that a pitch is a conversation not a monologue – and every good conversation is an interview by another name. By that I mean that you are looking to find out as much about what’s happening in their world as they’re prepared to tell you. And you’re looking to tell the person you’re talking to as much as they want to know, as honestly as you can.

Listen carefully to what is said – and pay close attention to what is not.

Above all, monitor the feeling in the room. People forget that while the conversation itself may revolve around any number of factors including requirement and supply, if the attitude of the requirer is that you are simply a supplier, then that is not respectful. If reciprocity of emotion is not there – bail. Do it nicely (there’s no point in burning bridges) but do it honestly and deliberately, and above all do it without hesitation.

I was working with a company some years back where we went in to pitch for what appeared to be a major branding programme. On the face of it, this was a very nice piece of business to have, and the team had done a lot of work to prepare for the meeting. We’d interviewed a number of the execs, we’d done a lot of background reading, we’d invested time and effort into a thoughtful appraisal of their situation as we saw it.

Twenty minutes into the meeting, it was clear to the whole pitch team that this was not business we wanted. They were nice enough people the ones we had met, but the new arrivals in the room that day – the people responsible for the real decisions – very much saw us as beholden to them and weren’t going to like our front-on approach to problem solving. So there was very little to indicate that there was any chemistry. We quietly and politely called a halt to the meeting, excused ourselves and left. As we collected our thoughts over coffee, I asked those around me this question: “If that was less than an hour into day one, what would day 100 be like?” I’m sure The “dear John” letter we sent that afternoon was met with relief on both sides.

Sometimes, no matter how nice the work looks, it’s just not going to work because of the people involved. Deal with it – or they’ll deal to you.

Acknowledgements
Photo of “10/52 – {outtake} guess who party by PhotKing, sourced from Flickr

30 things you should tell employees before you change the culture

By Mark Di Somma

Framing messages to people undertaking cultural change

What sort of information should decision makers share with employees as an organisation prepares to go through a significant cultural shift? These are my thoughts sized in digestible chunks. Order of course may vary.

1.   The future that we now see for the organisation
2.   How we discovered that we needed to change
3.   How quickly we need to change
4.   Why we need to make changes at that pace
5.   How the new vision changes what the organisation intends to achieve

6.   Where our new priorities lie
7.   How this will change the ways we behave
8.   How this will change the ways we compete
9.   How this will change the ways we work
10. How this will change the ways you work

11. How we will now judge success
12. What we think the chances of success are
13. What we will be doing to stack the odds in our favour

14. Where we will be looking to make changes first
15. How far changes will extend
16. Why we have prioritised changes in the ways that we have
17. The benefits we expect to generate
18. What we don’t intend to change
19. What we think people may struggle with

20. When we expect the change to be competed
21. Who will be responsible for driving changes
22. Why those people were chosen and the mandate they were given
23. What will be asked of all people during this time
24. How we will keep you informed
25. How you will be supported through the change process

26. How and when we will measure progress
27. How and when we will report on and celebrate progress
28. How you can contribute
29. The incentives for change – personal, team and organisational

30. What we commit to doing to continue being a high achieving culture

The over-riding stipulation is clear, regular and open communications. Everyone agrees with the latter in principle but decision makers sometimes baulk at what they are being asked to share, fearful that it will ‘get out’. My own view is that if management don’t explain what they are doing, why, when, how and with what resources, staff will come to their own conclusions and share those ‘findings’ anyway.

Acknowledgements
Photo of “Little man on the Roof” by zanten.net, sourced from Flickr

Words always have a wider context

By Mark Di Somma

Perhaps you’ve seen this video about the power of words, perhaps not. The storyline itself may have been attributed to David Ogilvy, nevertheless, it is a powerful story that offers critical insights into how we should think about words and their influence in this age of storytelling.

The clear intention is to demonstrate that changing the words in a context can change their impact significantly, even if the message and the intention of the message remains largely the same.

“I once read that a word is like a living organism, capable of growing, changing, spreading, and influencing the world in many ways, directly and indirectly through others,” wrote Professor Susan Smalley in a deeply thoughtful post titled The Power of Words. “…As I ponder the power of the word to incite and divide, to calm and connect, or to create and effect change, I am ever more cautious in what I say and how I listen to the words around me.”

Marketers should be equally aware of what they think they are saying and the stories they are really telling. It’s incredibly tempting to talk about a situation as we see it rather than as someone else will relate to it. It’s incredibly tempting to think that people act on factual descriptions. It’s increasingly tempting to think that brevity is paramount.

Three clear take-outs for me then for those fashioning stories:

Don’t just give people reasons to buy. Instead, tie what you’re doing, asking or looking for to a wider context; one that the reader or watcher will relate to, and treasure. That’s what turns someone else’s tale into a story that people choose to get involved with. And when you tell them that story, you give readers reasons to keep reading and watchers reasons to keep viewing. You make it personal for them.

The same words will never carry exactly the same meanings. And that is because they are never seen or felt in exactly the same context twice. As soon as the context changes (be it the situation or the mood of the recipients), the impacts of the words also change.

Words are never just words. They may be read, heard or viewed as words, but they are never absorbed that way. And how they are absorbed determines how they are acted on.

Acknowledgements
Video of “The Power of Words” by Andrea Gardner, sourced from YouTube

Brand management: The dangers of yes, no and clothing the Emperor.

By Mark Di Somma

Brands hang on decisions

People buy brands, not managers. And yet think about the number of managers who make judgment calls, sometimes very big judgment calls, based on their own opinions and experiences? They feel comfortable because they are expressing views and making decisions that fit with their worldview. But that doesn’t mean they’re necessarily doing the brand justice, particularly if their viewpoints compromise the personality of the brand itself.

Hands up if you’ve ever been to this meeting:

“I like orange.”

Or “Don’t make it orange.”

“Use short words.”

Or “People don’t read.”

“We need to be on TV.”

And/or “We need to export.”

Brands thrive when they are based on meaning, trust, relevance and delight – but of course they must deliver that meaning, trust, relevance and delight to the buyer, not the seller. Otherwise they risk narcissism.

Every brand must pursue a life of its own – not affirm the life of a manager. And to me, that integral sense of being an asset in its own right hangs on ten things. A brand must have:

Its own name (obviously)
Its own purpose
Its own values
Its own viewpoints
Its own story
Its own language – verbal and visual
Its own structure
Its own pricing
Its own style of marketing
Its own experiences

Without distinctive brand attributes, companies are left to market the Emperor’s new clothes. And yet at the same time as a brand’s attributes must evolve to remain distinctive, they must remain recognisable to consumers.

Brand evolution is not about yes or no. It’s about on-brand or not. Personal opinion is a dangerous decision maker because it seems so reasonable to the person with the opinion. Unless managers can put distance between what they believe and what the brand believes, unless they can plan not just for difference but for distinctly and consistently branded difference at every point, a brand can quickly fall victim to compromise, distraction and sector and personal bias.

As Ron Johnson, the ex-CEO at JC Penney, has discovered to his cost, what feels so “yes” to a decision maker can be worlds apart from what the people making the buying decisions want. While his replacement, Myron Ullman, is quoted in this NY Times article as saying, “Nobody ever wins by going back in retail because the customers’ expectations change all the time”, it’s equally true that the way forward must align with what people expect for the brand as well.

As Bill Campbell pointed out in an interview in Wired recently, “Johnson was tone-deaf to the issues … Whatever you need to do, you have to keep the current business going while you are experimenting with your new one. He didn’t do that. What he did was put a bullet hole in his current business and went about trying to create a new one.”

It may even sound like I think brand managers’ opinions don’t count. Of course they do. No-one is closer to a brand and has more direct impact on its future direction than those who guide it and who are responsible for it every day. Just be very clear what sorts of opinions hold value. And which represent trouble.

Know the customers’ agenda. Pursue the customers’ agenda.
(Not what you think it is. And not what you’d like it to be.)

Acknowledgement
Photo of “Coat hangers” by Matt Callow, sourced from Flickr

Forget supply and demand. Think supply and desire.

By Mark Di Somma

More and more

According to mainstream marketing theory, price is decided by supply and demand and fluctuates accordingly. In today’s market however, pricing is increasingly about supply and desire. The rules of volatility have changed. The upgrade culture, shorter product lifetimes and highly efficient distribution chains have flattened the gaps between supply and demand in so many sectors, but interestingly increased the effects of seasonality. However, the actual nature of that seasonality has changed.

Pricing now has got nothing to do with how good a product or service is, what it does, what it doesn’t do or where it came from or how many of them there are. Pricing is decided by how much people want something, and the degree to which it is novel and available.

Commoditisation, it follows, is also driven not by “market” forces but by desirability forces. Brands that fail to attract a strong price have lost their desirability or that desirability is fading. People then want to pay less not because the product is necessarily worth less, but because consumers want it less, which of course is why they perceive it as less valuable.

Getting the balance right between desire and price therefore is critical. According to this BrandZ survey from a couple of years back, on average only 7% of consumers buy on price alone globally, down from 20 percent ten years ago. By contrast, 81% regard brand as an important purchase driver. In other words, brand has increased in importance relative to other purchase drivers such as price, location, convenience and habit.

Recognising that, competitive brands need to adjust their pricing based on changing levels of desire – meaning brands should monitor how much consumers want them and use this as an effective benchmark for pricing. Striking the right balance between these two factors is critical. Brands that are too expensive for the level of desire they deliver, as I have already observed, risk losing market share. Conversely, those that don’t charge enough for the desirability they deliver risk leaving money on the table.

The way I see it, there are three ways to strategise an effective desirability story that keeps pricing higher than the default market value:

High supply, high desire: The scale equation – things that everyone wants, readily available. This is a globally focused story driven by momentum (gathering interest) and recognition (peer pressure). This value proposition largely retains desire through authority and reputation in B2B and new model releases, upgrades and powerful brand awareness in B2C.

Limited supply, high desire: The cult/luxury equation – things that are deeply interested to a select group but that retain their pricing because they are deliberately fed into the market at below-demand levels. This is a scarcity story. This value proposition retains desire through exclusivity and the thrill that comes with being ‘in the know’.

Access: The social equation – the power of this approach lies less in the thing itself and much more in the access and introductions that come with being part of the network. For example, flying Concorde in years gone by only partly had to do with the speed. Of much more interest was who you might find yourself sitting next to, and the conversations that might follow. This is a door-opening story. The value proposition comes in where it leads.

Sadly too many brands are still telling availability stories: what it is; what it does; where you can get it; how much it costs. Business leaders forget this too as they obsess on capacity, productivity and innovation. Unless what is being planned, made and told is being planned, made and told as more and more desirable, it must, by deduction, be at risk of becoming less and less valuable.

Unless your go-to-market strategy is built on robust and deliberate grow-in-market criteria, you aren’t really building a brand, you are juggling a supply chain.

Acknowledgements
Photo of “more” by *_Abhi_*, sourced from Flickr

CSR: aligning corporate purpose and social responsibility

By Mark Di Somma

Lining up your ducks

It is said that CSR is how companies build their reputation and contribute to helping the world. Cynics suggest that CSR has sprung from a need by corporates to justify what they were doing to the world. Either way, it’s failed to turn things around so far: CSR hasn’t made a material difference to global sustainability; and corporate motives remain the object of widespread suspicion.

According to this article by McKinsey, levels of trust in business are below 55 percent in many countries and less than 20 percent of executives in a recent McKinsey survey reported having frequent success influencing government policy and the outcome of regulatory decisions. No-one’s won – the reasons for which I’ve touched on several times, including here and here. A key reason the McKinsey authors suggest is because of the heightened expectations that consumers have of corporate behaviour, and the increasingly ability to scrutinise and critique those behaviours via social media.

John Browne and Robin Nuttall give four reasons why CSR has failed to impress:

1. Lack of traction for CSR across the business
2. CSR teams adopt too narrow a view particularly of external stakeholders
3. CSR focus too much of their attention of protecting their reputations by limiting the downside
4. CSR programs tend to be short-lived. They run out of endorsement and then money.

But does that mean CSR can’t work? Not necessarily.

There is a way forward, and it’s as exciting as it is disruptive, but things will certainly need to change if companies are to successfully pursue altruistic goals with deliberation and without suspicion. “Companies that succeed in building a profitable relationship with the external world … define themselves through what they contribute … [That] means being explicit about how fulfilling that purpose benefits society … it means recognizing that you generate long-term value for shareholders only by delivering value to society as well.”

Purpose and profit, in other words, need to be linked. And so do purpose and responsibility. In fact, all three aspects of corporate performance, which have tended to be treated separately and to have been controlled by different corporate masters, need to align. Companies must commit to a purpose that changes the world and, in so doing, delivers shareholder value.

Are we there yet? Clearly not – the business case is still being developed for a much closer alignment between how what a business aims for, how it chooses to behave and the money it makes through behaving in those ways and to that end.

But there are signs of a will to find a way. The McKinsey authors quote the Unilever Sustainable Living Plan (USLP), which sets out to double the company’s sales while reducing its environmental impact. To me, that’s still a relatively simplistic expression of the concept, but it does act as a starting point for a convergence of aims that I regard as inspiring, galvanising and defining. The rationale for thinking this way is well summarised by Daniel Vasella: “When people believe change will only cost them, you can be sure they will do everything to make change fail or not even start.” That’s been the problem with CSR up until now I suspect: its perceived “cost” to the business has been too high for anything meaningful to be maintained.

The lack of defined causality between financial returns and good corporate citizenship has been addressed by Kusum Ailawadi and Jackie Luan of Tuck School of Business, Dartmouth – and points to how companies might look to make the alignment of responsibility, purpose and performance work. Having collected field data from more than 3,000 grocery shoppers, Ailawadi and Luan found that the four attributes they measured – environmental friendliness, treating employees fairly, community support and sourcing from local growers and suppliers – all positively influenced consumers’ attitudes toward a retailer. However, consumers only modified their purchase behaviour when an aspect of CSR directly affected their actual experience with the company or brand.

Environmental friendliness and community support built goodwill but little else. Local sourcing and fair employee compensation generated both goodwill and a higher share of wallet. Local sourcing, for example, generated a sales lift of 10% to 15% for the average retailer in the study. Equally an improved CSR perception could translate into a price premium of about 12%. But it is this next observation that I find most interesting: “Consumers don’t just respond to the price charged; they also respond to how fair they think the price is,” the authors note. “High prices are considered fairer if they can be attributed to “good” motives like CSR efforts or costs rather than to “bad” motives like profit-taking. We find that as much as 15% of the share-of-wallet gain from the perception of employee fairness accrues through improved perceptions of price fairness … this indirect benefit is not equal across different CSR initiatives.”

Storytelling, then, is critical. The actions themselves gain not just meaning, but also value, when they are linked to ideas that customers want to hear about; when they provide a rationale for actions that people identify with and see merit in. It’s fair to say that, to date, most companies haven’t spelt out those connections for customers – they haven’t made their performance a relevant result of their purpose and responsibility – perhaps because they haven’t seen the connections themselves.

Time, then, to align the corporate ducks. Doing that appears to require responses to three core questions that need to be intrinsically linked:

1. “What are we most seeking to change across the world?”
At the highest level, where does the business most want to see social change? Purpose should focus on an issue of widespread concern/interest that society wants to see addressed.

2. “Why is that our business?”
In order for consumers to see a connection between what you’re doing and your purpose, there needs to be a reason for involvement. Otherwise, actions will, like environmental friendliness and community support in the Ailawadi and Luan study, generate goodwill but little more. CSR is not an automatic licence to charge more. But it can be a licence for better understanding and a deeper sense of value if you nail the connections around motive.

3. “Who profits and how?”
What’s the pay-off? How do all the stakeholders benefit? There needs to be a strong quid pro quo that matches what the company strives for with how all involved are rewarded. And those concepts need to be hardwired into how customers think about, experience and converse with the brand. As Ailawadi and Luan advise, “Integrate your CSR efforts into consumers’ direct experience with your brand, and monitor their response to make sure your initiatives and your message resonate with them.”

Acknowledgements
Photo of “Rubber ducks” by Alan Cleaver, sourced from Flickr

Don’t plan to be a start-up. Plan to be an upstart.

By Mark Di Somma

Rock the boat

You should never start a business unless you are deliberately planning for others in the industry to be dismayed, surprised, outraged or alarmed by what you are doing.

“Start-up” has become a synonym for starting-out. It implies not just being at the beginning, but needing to catch up to someone more established in order to prove oneself.

Launching an upstart on the other hand is all about putting a business in play that really challenges what everyone else has accepted as the rules.

That’s because a start-up focuses on getting a product or an idea to market, whereas an upstart focuses on an “enemy” (be it an attitude or a standardised approach) and looks to a product or service to change that.

Without a business model trained on defying and disrupting the status quo, you are destined to be another player trying to get a footing in another overplayed market. A feature, no matter how beneficial, is not a disruption. If all that stands between you and your competitors is a product improvement, a customer service change, a change in your distribution plan or a new pricing model, you can bank on it being copied, commoditised or counter-attacked at the first sign of sustained success. Then what?

The equation is stark. Rock the boat, and keep rocking the boat – or risk ending up in the same boat as everyone else.

Acknowledgements
Photo of “Row boat” taken by PAVDW (Paul VanDerWerf), sourced from Flickr

Where do you stand on fair pricing? A conversation starter

By Mark Di Somma

Would you look at paying full price?Buyers have convinced themselves that they are entitled to deprive brands and shopkeepers of a degree of the asking price profit in the hunt for a bargain – yet in almost the same breath, they’ll tell you that businesses need to be responsible and to behave ethically and that they shouldn’t take shortcuts that compromise people or safety.

But there are prices to pay for things being cheap. In fact, one could go so far as to say that once prices get below a certain point, someone has to suffer. Some of the side-effects are obvious and horrendous: child labour; unsafe working places; the flourishing replica and fake markets; food scandals. Some are less obvious but still telling: the ongoing effects of over-production on environments and economics; the free-fall decline of high street retail in the face of online trade; and declining employment in the retail and service sectors.

You don’t have to look far for predictions that retail is about to close its doors. In this interview on Pandodaily, Marc Andreessen says, “Retail guys are going to go out of business and ecommerce will become the place everyone buys … Retail chains are a fundamentally implausible economic structure if there’s a viable alternative. You combine the fixed cost of real estate with inventory, and it puts every retailer in a highly leveraged position. Few can survive a decline of 20 to 30 percent in revenues. It just doesn’t make any sense for all this stuff to sit on shelves. There is fundamentally a better model.”

The responsibilities for an intelligent and viable response to the dilemma fall at least two ways it seems to me.

Retailers and brands have to invent new business models for their retail outlets. Clearly, the prevalent high-street model is dying – and a key reason is that shops have absolutely failed to find a value proposition to address the online threat head-on. Despite all the understanding and talk of brand, the shopping malls, the high streets and the side roads are littered with look-alike stores selling look-alike goods. The emphasis on price is proof that physical retail has lost a lot of its thrill.

If we look at what Andreessen is saying, I think the key words here are “if there’s a viable alternative”. Like publishers, airlines, the music industry, the telcos and so many others, retailers will need to find new ways of selling that justify the price point, perhaps by fragmenting offers (the way airlines have) or by making the experience of buying in store (not just pre-shopping) feel worth more than buying over the internet.

To achieve that, retailers must be prepared to be as revolutionary in how they reframe their businesses as producers have been in how they manufacture and as distributors have been in how they deliver. Compared with the extraordinary changes that they have taken part in those areas of the supply chain, shopping for the most part has barely changed at all. Frankly, it hasn’t kept pace. So retailers need to up the experiences.

Equally customers, if they want to continue to physically see and shop for retail goods need to take some responsibility for their survival. That requires a conversation about the ability of retailers to both pay a fair price (so that products can be made fairly) and make a fair living themselves. There’s a story in there, it seems to me, that needs to be teased out and it focuses on encouraging consumers to align their global beliefs with their local purchasing behaviours and making retail shopping an ethical consumer decision. It begs a question – and it’s an absolute ripper: If you believe in fair trade and in sustainability globally, why wouldn’t you believe in paying full retail price at home?

Acknowledgement:
Photo of Shop Window Dolls by Klearchos Kapoutsis, sourced from Flickr

Brands as operating systems

By Mark Di Somma

Brands as operating systemsIn this post, Nigel Hollis explores a fundamental misalignment. Brand owners tend to view customer experiences in isolation, by channel, whereas customers of course view and grade their experiences cumulatively.

Tom Asacker captures why customers think this way. A brand, he says, is “one, interdependent system of behavior”. The problem is that in too many organisations the “system” has many masters and each wants independent control of their domain. CMOs, who might be expected to have responsibility for the overall experience as of right, do not. That’s because large chunks of the interface with customers, and the factors that influence that interface, remain for the most part outside of their control. They do not fit neatly into the “normal” org chart definition of what constitutes marketing.

And when multi-lateral ownership makes contact with a unilateral expectation, just as at Penn Station, the scene is set for disappointment. As a result, there is significant potential for the system to jeopardise itself at any time, at any weak point – through bad training, bad coding, bad quality, bad service, bad news, in fact bad a-lot-of-things.

In seeking to remedy this, marketers have confused the questions. They have asked “What must I own?” and judged it as synonymous with “What must I run?”, then involved themselves in a struggle for control of data in order to have access to better insights. From an internal point of view that seems to make sense – but again, viewed from an external perspective, the misalignment is obvious. Customers don’t judge a brand on what it knows. (In fact, as Brian Solis has rightly pointed out, they often don’t know what marketers know about them.) Instead customers simply judge a brand on how it succeeds for them.

Therefore, what marketers really need to have ownership of is their customers’ sense of success. And when organisations stop thinking of channels as communication points and/or functions and start assessing their effectiveness as brand proof points, regardless of where they are and who runs them currently, they will start co-ordinating their brands in the same way as customers judge them: systemically.

In looking for ways to improve things, here’s the real question that everyone, not just marketers, should be focused on: “What do each and every one of our experiences prove about the whole of us?”

Acknowledgements
Photo “System is normal” taken by Scott (skpy), sourced from Flickr

Which story will they tell? 9 possibilities for pitch stories

By Mark Di Somma

What's their story?As I explained in this post, the purpose of a pitch is not to sell what you do. It’s to explain in the clearest terms why someone should look forward to doing business with you. And while you’re explaining your story, you can bet that every other participant in the pitch will be telling theirs.

It’s well worth surmising where your story lies and what their story/stories might be:

1. The authority – the trusted source of knowledge. This is a brand and credentials story. It focuses on being the market leader and on the ability to take matters in hand and deal with problems efficiently and effectively. The emphasis is on de-risking and delegation. Works wonders with clients looking for someone to take charge.

2. The safe bet – the best pair of hands. This is a reassurance story. It focuses on the proven and time-tested partner, diligent, hard-working, who always hits targets. Not necessarily the most exciting answer or the most original, but a choice that most will be more than happy with. Works well with clients looking for someone to shoulder the heavy lifting.

3. The price saver – the budget option. This is about getting the work done at the best price. Works well when the work itself is not particularly valued, the organisation feels budget-conscious or there is scrutiny (and therefore repercussions). Even if this participant doesn’t get the work, chances are their pricing will form the basis for negotiations post-appointment. Works well, as expected, with clients looking to get the work done for the least investment.

4. The creative answer – the wild card. The lateral play. This approach scrutinises the problem from another angle and comes back with an answer that is bound to take everyone by surprise. This approach can be particularly effective in situations where the people calling the pitch feel hemmed in and are looking for a different approach. Done properly, this pitch can be magical – but it can just as easily fall flat on its face. Works well in crowded pitch situations where you need to get cut-through. However, don’t hold your breath, if you do get appointed, that many or any of the ideas you suggested will be taken up.

5. The disruptive model – the extreme card. This approach throws the current business model out with the bathwater. Perhaps the most risky play of all – but worth a shot if you absolutely believe that the current model is irreconcilably flawed or if you want to demonstrate your ability to completely rethink a situation. All of the reservations about the creative answer apply here to an even greater degree.

6. The underdog – the great unknown. This approach is all about using your relative anonymity to surprise and delight the people you’ve pitched to, slipping in under the radar only to emerge victorious. It’s the pitch that uses frankness to great effect – “We know you’ll be worried about …” – to drive home some home truths and pick up respect for daring to speak out. Works well with organisations looking to appoint beyond the familiar faces, and will particularly appeal to pitch panels that contain mavericks and that want to be seen to have gone the extra mile in search of the right fit.

7. The case study/research case – literally the case in point. This pitch headlines with research or a recent case study that deals directly with or parallels the issue that the organisation appears to be facing. It works not just because it delivers proof and insights that the organisation will be interested in accessing, but because it helps a pitch panel feel that they are teaming up with people who understand and can help overcome their challenges. Very useful if the research is groundbreaking and/or the case study is well known and well respected.

8. The star – “look who we’ve got”. A superstar in the field leads the agency into the pitch. This is a variation on the authority story – except often it’s a key player front and centre and a slightly less illustrious team backing her up. Very powerful because it helps an organisation feel personally connected with the ‘best in the business’, and all their credentials and achievements are ‘owned’ by the pitcher even if no-one else on the team had anything to do with the achievements.

9. The process – trust the methodology. This pitch revolves around a “world class” process. It’s compelling because it gives everyone something to follow and the process’s track record are often taken as proof of success. Excellent if you’re pitching for work that is highly process or project oriented and being managed by people who are focused on completing tasks on time and to budget.

Chances are you are using one of these storylines yourself. Nothing wrong with that. But you can’t just focus on your own story. You need to make sure that your story will be more compelling than the storyline others choose; that it explains in the best possible way why someone should look forward to doing business with you.

To test that, put yourself in the shoes of another team compiling another story. Build a case using that storyline. Then compare your story with theirs. Analyse your strengths and weaknesses and adjust your storyline until it is outshines the alternative. If necessary, bring in an independent adjudicator to judge the stories on the merits.

If you have time and resources (i.e. if the pitch is big enough), have two other teams develop two other scenarios and then run an internal competition – first against one alternative story and then against the other, adjusting your story as you go to make it stronger.

Judging your story in this way is an excellent way not just of thinking through how your competitors may shape their arguments but also of sharpening and honing your pitch so that it is robust, direct and well told.

Acknowledgements
Photo of “23” by miggslives, sourced from Flickr

How do you prevent your corporate culture from stalling?

By Mark Di Somma

How slow should a culture goThere is plenty of discussion, quite rightly, about the fact that people are overworked, that they are under ridiculous pressure, that they feel undervalued and unmotivated – but a couple of conversations this week have got me wondering whether the opposite, an unpressured culture, whilst not as destructive, may nevertheless be undesirable, albeit for different reasons.

I’m always concerned for instance when people inside a culture tell me that the place they work at is comfortable or that it has a real family feel. In a corporate cultural setting, too often those terms are code for a work force that is happy to leave things as they are. The other word that always rings alarm bells is “busy”. When people tell me they work in a busy workplace, that too is often code – this time for a lot of activity, noise and meetings, but without focus and without measured and effective outcomes.

So how much urgency do you need in a workplace? Is some degree of turbulence necessary to keep people on their toes? And if so, what form should it take? Does a culture have a stall speed?

First let’s clarify what’s not necessary. What’s not needed, and what there is no excuse for, are the ways of working that some managers still use to incite action: bullying, discrimination, bad behaviour, disrespect or other equally destructive behaviours. What is useful though is the adrenalin surge that comes with doing good work well, and with looking to achieve change that is surprising, inspiring and competitive. ‘Good urgency’ focuses on exactly that.

Generating urgency

Philip Kotter’s study of the effectiveness of change in organisations, cited here, found that 70% of all major change efforts failed, or were completed significantly behind schedule or over budget. The most significant reason for this was a lack of urgency.

Kotter suggests that true urgency encourages productivity and innovation: “It is often believed that people cannot maintain a high sense of urgency over a prolonged period of time, without burnout. Yet … true urgency doesn’t produce dangerous levels of stress, at least partially because it motivates people to relentlessly look for ways to rid themselves of chores that add little value to their organizations but clog their calendars and slow down needed action.”

Of course there is no universal ideal speed for a corporate culture to compete at. Some sectors simply need to move more quickly than others. The key is finding a speed that is quicker than comfortable, but measured enough to ensure responsible and consistent behaviours. Here are my five rules for doing that:

1. No gain, without pain – a culture won’t react with urgency without a pain point. Unless the consequences of not changing dramatically, demonstrably and emphatically outweigh the consequences of bringing change about, people will generally opt to leave things as they are. If you’re the one making the case to up the pace, bring proof – lots of it.

2. No gains without meaningful context – unless people have a clear and inspiring framework to work within, there are no reasons to be urgent. Purpose decides more than what you’re aiming to achieve; it defines what you’re asking your people to expend energy on. Simply put, meaning engages people – and engaged people work better. According to McKinsey, “The opportunity cost of the missing meaning is enormous … employees working in a high-IQ, high-EQ, and high-MQ [meaning quotient] environment are five times more productive at their peak”.

To gain that sense of meaning, McKinsey suggests framing what needs to get done around six stories simultaneously:
1. the turnaround story – the business case for significant improvement
2. the good-to-great story – which stresses the capability to be the undisputed leader
3. the societal impact story – the intention to make things better in the world
4. the customer story – why customers deserve more and how they will benefit
5. the working team story – the support that the team will receive
6. the personal gain story – what each participant stands to gain from getting involved.

Logical stories don’t impel actions. Emotional stories, based around things that people really care about, do. The article cites the example of a cost-reduction program at a large US financial-services company. When the need for action was sold to staff on the basis of the need to bring expenses into line with revenues, it bombed. Retold, as a story about society (more affordable housing), customers (increased simplicity and flexibility, fewer errors, more competitive prices), working teams (less duplication, more delegation, increased accountability, a faster pace), and individuals (bigger and more attractive jobs, a once-in-a-career opportunity to build turnaround skills, a great opportunity to “make your own” institution), buy-in leapt. Observes McKinsey:“The program was still what it was—a cost-reduction program—but the reasons it mattered were cast in far more meaningful terms.”

3. Not just urgency, but a culture of urgency – unless there’s a sense of urgency across the whole business, take-up will be sporadic, and may even see ‘motivated’ groups choosing to silo themselves from others they consider lazy. Urgency requires unity – or at the very least, agreement on the need to move forward in a co-ordinated way to achieve agreed goals. Kotter again: “With a culture of urgency, people deeply value the capacity to grab new opportunities, avoid new hazards, and continually find ways to win. Behaviors that are the norm include being constantly alert, focusing externally, moving fast, stopping low-value-added activities that absorb time and effort, relentlessly pushing for change when it is needed, and providing the leadership to produce smart change no matter where you are in the hierarchy.”

4. Measured achievements – Urgency can devolve to panic unless all involved have a clear timetable for what is being done. The key to finding the right level of urgency is agreeing the pace that people need to work at in order to achieve the purpose. Using the organisation’s biggest and brightest objective as the pace-setter puts everything in perspective, adds deep underlying reason and encourages measures that also prevent rash actions. Regularly reporting on progress against the purpose and against specific goals gives people context and the momentum to push for the next level of achievement.

7 ways to maintain urgency

Interestingly as I was writing this post, I came across this piece in Fast Company that sets out how organisations with big goals keep people motivated. Much of what they discuss seems to inform how we should be looking to maintain good urgency in cultures:

1. Encourage resilience. With the pursuit of purpose come good days and bad days. What matters most is the ability to quickly rebound from failures.

2. Celebrate the journey not just the destination. Make victory about solving every problem rather than just big accomplishments.

3. Share the energy. Be single-minded, and use the singularity of that end goal to unite and energise people.

4. Believe in the ability to do hard things. Don’t be stymied by fear of failure.

5. Do work that has an impact. Aim to create change at scale by asking your people to address and resolve world-changing questions. The McKinsey article gives the example of David Farr, chairman and CEO of Emerson Electric, who asks four questions consistently of people in the organisation:
(1) how do you make a difference? (testing for alignment with the company’s direction);
(2) what improvement idea are you working on? (emphasising continuous improvement);
(3) when did you last get coaching from your boss? (emphasising the importance of people development); and
(4) who is the enemy? (directing energy towards an external threat).

6. Demand balance. People need opportunities to be renewed and reinvigorated. They can’t do that if they are chained to their desks and (by extension) their mobiles.

7. Push your company as far as you can every day. Have specific and actionable items to complete each day that move you closer to your goals individually and collectively.

Acknowledgements
Photo of “Slow Down” by Loozrboy, sourced from Flickr

The future myth

By Mark Di Somma

BarometerTransformation isn’t about plotting a meeting point for your brand with the predicted future. It’s not about getting to where the puck will be, to paraphrase Wayne Gretsky. Because depending on the arrival of the next big thing or that breaking wave, that hot new trend, the long-awaited demographic or anything else for that matter is conjecture. Banking on it is simply speculation.

To evolve successfully, brands must grow out of what they have into what they need to be. They cannot shape the future. They can only shape their future.

That is what they have control of. That is what they are responsible for. The customers they take with them into the future. The actions they drive in the future. The products they will make. The culture they build for the future.

All strategists and decision makers can and should read out of the macro-trends, and even the supposedly “specific” future trends for that matter, are the broad indicators of the change that’s coming and perhaps a sense of where it might be coming from. Nothing more – certainly not the exact nature and timing of that change.

But what brands can do, indeed must do, is use what they’re hearing and what their data is telling them to quantify what must be dealt with today: the instability of the present; the intensity of the competition; the changes in the world that they want to take charge of; and the degree to which they may be able to build on, or reject, what they have as they push forward. Being aware of those things will help quantify receptivity for what they have planned.

Deal with what you know, but look beyond what you have.

Acknowledgements
Photo of Barometer by Matt Wharton (electricinca), sourced from Flickr

Thank you for your interest …

By Mark Di Somma

View of the VaticanHas the temptation to template ever been greater? As the volume of conversations between organisations and stakeholders continues to rise, so does the urge to have “ready-to-go” responses. Our interactions with organisations are increasingly governed it seems by autoresponders that look to slow down or divert real contact.

Granted, there is too much traffic today for every query to be answered personally – but I can’t help feeling that an opportunity is being missed here; that the lack of personality in the interactions we do have has made them trite and meaningless. People feel fobbed off, even if that wasn’t the intention.

When was the last time you listened to the patter that precedes you waiting in a call centre queue? How closely did you read the last rejection letter you got from a publisher? What did the voice message say when you called after hours?

You don’t remember – because it doesn’t matter. You’ve heard it all before. And you’ll hear it all again … and again … and again.

Too often, organisations miss the opportunity to make a powerful and distinctive impression because they are so focused on the process of responding or complying that they forget to invest in the substance of that response. Answers become bland, legally-approved statements: and those statements mirror every other tried and true response from every other quarter. A wonderful opportunity to stand-out is lost.

By way of illustration – intended to highlight and not to offend – imagine a “standard” Human Resources response to those who were unsuccessful in the bid to secure what has surely been the most important leadership position on offer in the world this week:

15 March 2013

Dear Cardinal X

Re: Position VATC266

Thank you for your interest in applying for the role of Pope. We received a high number of applications for the position and the Committee was generally impressed with the quality of the candidates. Regretfully, as you will have seen from the white smoke, you were not successful on this occasion. Thank you so much for taking the time to come to Rome to take part in the election process. It was great to meet you.

Should the position become vacant again, we would welcome your application.

Please accept our blessings for your career development and professional success in the future.


Thank you once again for your interest in the Holy See.

Yours sincerely,
Cardinal [name]
Project Supervisor, Executive Management Selection Committee

Acknowledgements

Image of the Vatican by xiquinhosilva, sourced from Flickr

 

The global challenge of doing business openly

By Mark Di Somma

All Good logoCongratulations to All Good Organics, the first New Zealand company to make the prestigious Ethisphere Institute’s World’s Most Ethical (WME) companies list. All Good may be tiny but this ranking puts them in some great company – one of just 145 companies, chosen from more than 5000 entries. Judge for yourself.

In the light of this win, interesting to read Raz Godelnik’s take on the difference that CSR actually makes for companies in this post on TriplePundit:

A MIT Sloan Management Review and BCG survey showed 40% of executives polled believed the greatest benefit to an organisation in addressing sustainability was “improved brand reputation”.

Godelnik goes on to cite evidence that CSR initiatives help companies retain stock value when facing corporate governance scandals and product recalls, and that firms viewed as having weak CSR suffered stock declines twice the size of firms viewed as having strong CSR after riots surrounding 1999 WTO meetings in Seattle.

While consumers might not be willing to pay higher prices for greener products, he says, they will more likely purchase goods from firms that are more socially responsible. However, consumers are often not aware of a firm’s CSR activities and that in turn limits the extent to which CSR reputation actually makes a difference in customers’ decisions.

Godelnik’s conclusions? “In all, it looks like studies support the notion that CSR can impact companies’ reputation positively, helping them improve their reputation with stakeholders and be more resilient in times of crisis. Still, companies need to work hard to make sure stakeholders are aware of their efforts and that these efforts are sincere.”

Two questions. In the light of Godelnik’s findings, is CSR more than just a marketing exercise for many companies? And is his conclusion specific to CSR – or could one just as easily replace CSR with the word “actions” and the statement work just as well? That’s not intended as any belittlement of what the writer is saying – simply an observation that I think the conversation that’s been centred around CSR has been too narrow. The discussion can in fact be broadened to include the ramifications of actions (and reputation) generally, and from there to a closer inspection of the radically different way in which business is being done now.

To me, CSR is the symptom, not the subject. We are in the middle of a wider and much more radical transition than the move to ethical. I have stated on a number of occasions that to me, the key issue is one of responsibility. But the broader adaption I think is about how brands adapt to a world of unparalleled openness. It’s about the fundamental challenge to closed trading that the internet introduced and now encourages – and the questions that openness generates. How do you continue to make money when everyone can see more and more of what you’re doing? Companies are still struggling in my view to find a path through what feels like the conflicting pulls of ethical behaviour and competitive behaviour.

A truly social business world is do-able – but it’s far from done. In her excellent e-book “11 Rules for Creating Value in the Social Era”, Nilofer Merchant makes this salient point, “Things we once considered opposing forces – doing right by people and delivering results, collaborating and keeping focus, having a social purpose and making money – are really not in opposition … But we need a more sophisticated approach to understand business models where making a profit doesn’t mean losing purpose, community, and connection.”

I think those business models are still very much in development. Some, like All Good and those on the Ethisphere list, are addressing that by, quite literally, competing ethically – and inviting the world to watch and emulate. Contrast for example Godelnik’s analysis of what companies are looking to get out of CSR (a reputational insurance policy in a world of insatiable scrutiny) with All Good owner Chris Morrison’s view, quoted in an article on Stuff, of why they are in business: “”All Good believes we can’t ignore the consequences, humane or environmental, of growing the food we eat and enjoy, even though it may happen a long way from New Zealand.”

It’s one thing to incorporate CSR initiatives into a traditionally strategised business in a bid to win ethical brownie points. It’s quite another to view responsible behaviours as part and parcel of a broader and longer term transit to a globally competitive environment based on no harm and no secrets.

The capitalism of yesterday thrived on winning. The capitalism of today (with its need to work in a socially connected world) thrives on sharing. But the capitalism of tomorrow will need to succeed by giving. Thanks to ethical companies like All Good we have started to see the capacity for brands in the future to actually give more by trading more. Cradle-to-cradle thinking might even suggest that, going forward, new competitive models may pivot on that greater generosity, so that the more people trade, the more poverty is reduced, the cleaner the environment becomes and the better off the whole world is.

I’m excited to see where that might lead.

My creative gallery on Behance – a start

By Mark Di Somma

BehanceAfter much encouragement (and no small amount of help) from my friend Di, I’ve finally published a profile on Behance that shows work I’ve done as a writer. Nine projects are showcased so far. I’ll add more as and when.

If you have a moment, please take a look. Anything I can help with, please let me know.

Whose buying – and whose purchasing?

By Mark Di Somma

Buyers and purchasersAt first the question appears nonsensical. But only if you assume that buying and purchasing are synonyms. Most financial systems treat them as exactly that because, from their perspective, the result is the same. Income. But there is a difference – and being able to define and quantify that difference is important.

Semantics doesn’t just split hairs. It splits customers. It isolates loyalties and behaviours. And in so doing, it potentially defines different actions. But it only does so for those prepared to look for the nuances.

As big data hands marketers and decision makers more and more detail, the ability to read between the lines and find the nuances of behaviour in the numbers will be more important than ever.

In this case, being able to tell the difference between your buyers (“the people who actively choose to buy from us”) and your purchasers (“the people who happen to have bought from us”) reveals two very different parties in terms of inclination.

The first will be back. The second may not.

Things become a little more complicated when trying to read between the lines of more abstract decisions. Here, nuance offers opportunities to isolate and granularise priorities that, just like the numbers, can easily be swept up in generalisations.

Which would you rather have?

A workforce. Or staff.
Reasons. Or purpose.
Suppliers. Or providers.
Obligations. Or responsibilities.
Story. Or history.
Social media. Or social interaction.
Conversations. Or dialogue.

What do you have right now? And more particularly, can you tell or have you never asked?

Acknowledgements

Photograph of “Mystery Shopper” by John Goode, sourced from Flickr

Talking a culture through change

By Mark Di Somma

the language of culture change

Change programs are so often about actions. So much so in fact that the dialogue that surrounds and informs those changes can be dismissed as “just talk”. Time and time again, in working on transformation projects, I have faced an uphill battle in trying to persuade decision makers to give their proposed changes the air-time that staff need to talk over and through what’s happening.

But such talk is vital. Actions really do speak louder with words – and they do so because they allow people to come together and to work through what is happening. Change presented on a slidedeck is change imposed. Change discussed in forums over time, and with a built-up understanding of its implications and opportunities, is change absorbed and applied.

Further than that though, language has a huge role to play in the bedding in of new ways of doing things. Language actually defines a culture because it is literally how people connect – changing it significantly shifts the parameters of, and the context for, what is defined, accepted and encouraged.

Here are five interconnected ways you can change your language to better complement the actions you intend taking.

Change the category – when you change the perception of who you are as a company and who you’re how competing against and for what, you can also change how you compete. You can literally invigorate the current culture with the characteristics of a new category – particularly if that category is perceived as more desirable, faster, smarter and more contemporary.

Change the purpose – when you change where you compete and with whom you compete, you have the opportunity to redefine what you compete for

Change the story – when you change your purpose, you have the opportunity to change the story that you tell yourselves about what you are doing and what constitutes success. You quite literally reframe the parameters. You also need to reset the notions of what you talk about and reinforce before you redefine the operating rules. That way, changing the actions becomes proof of your new history and the way things will be going forward. Telling your stories in new ways redefines your traditions as a culture.

Change the values – when you change the story, you have the right setting to redefine your priorities as people interacting with each other and with customers.

Change the permissions – refreshed values provide the best backdrop for resetting what constitutes success and therefore how people feel empowered to behave. When you highlight humanity over greed for example or teamwork over individual brilliance or balance over dedication, you not only change how people can behave, you also change what they feel they can celebrate and emulate.

Just as every culture was generated and sustained by what people chose to highlight and reinforce, shifts will come when people get the chance to reset the boundaries through conversation. Words are much more than the means to that end. They are the most powerful and vibrant signals because they actually define how actions continue to be talked about. Without that, you have a dumb organisation – one muted into doing, guessing and, inevitably, politicking.

Acknowledgements

Image of “ch-ch-changes” by Rafa Garcés, sourced from Flickr

CSR has failed. Now what?

By Mark Di Somma

Has CSR failed?

That’s the question being asked by Wayne Visser in this thoughtful and searching paper that raises significant concerns about how companies pursue responsible ideas. But, alongside those areas that he has identified as needing to be addressed, Visser proposes his vision of CSR 2.0. I was keen to explore what some of the ideas mooted here might mean for brand behaviours going forward.

First – a brief recap of Visser’s argument. If you define CSR as “an integrated, systemic approach by business that builds, rather than erodes or destroys, economic, social, human and natural capital”, then we have no choice, says Visser, than to mark CSR as a fail because communities and ecosystems are getting worse. While at the micro level there have been improvements, at the macro level, social, environmental and ethical health is in decline. And that’s because most sustainability and corporate responsibility programs are really about being less bad in pockets than actively good across the board.

CSR, he says, transits through five Ages:

1. Greed – limited corporate sustainability and responsibility practices are initiated but only if and when it protects shareholder value

2. Philanthropy – companies support various social and environmental causes through donations and sponsorships, but that’s the limit of their involvement

3. Marketing – the ‘greenwash’ phase, when CSR is looked upon as a public relations opportunity to enhance brand, image and reputation

4. Management – CSR activities are aligned to core business in some way, and undertaken through adherence to CSR codes and systems. (Watch the Dame Anita Roddick video referenced below for the Body Shop founder’s withering take on how management and accounting firms have fostered this in order to make huge amounts of money.)

5. Responsibility – activities actively focus on identifying and tackling the root causes of unsustainability and irresponsibility, through business models, disruptive processes and offerings, and lobbying for changes to national and international policies that benefit the wider community.

The first four phases doom CSR to failure, says Visser. But Responsibility is a step-change. Brands in the Responsibility Age of CSR in other words are actively looking to change the world rather than simply engaging in change processes that suit them.

Three pointers then, based on Visser’s thinking, on how brands might choose to pursue responsibility in the years ahead.

1. Purposeful creativity: Brands will need to focus on creatively solving truly pressing needs through a social business model. That of course means that brands will need to identify those globally-based needs, develop market-attractive products that address those needs and monitor how effective change really is. As part of that, they will need to candidly appraise, at least internally, whether the models they use are part of the solution or part of the problem.

These ideas align directly with my own ideas of the “opinionated brand”, the pending changes in disclosure (“what have you done to truly change the world?”) and the need for brands to pursue a true purpose not just the paperwork of vision and mission.

2. Scaled sustainability: Brands will need to make the same commitment to scaled sustainability that they have made to scaled growth. CSR solutions that cannot match that scale and urgency, says Visser, “are red herrings at best and evil diversions at worst.” He dismisses the organic and Fairtrade movements essentially as tinkering and cites Wal-Mart’s supply chain decisions as a true example of 2.0-level scalability.

Based on this, real change needs to be vast to be effective – and therefore will probably need to happen at the distribution level. To deliver that scale and attract significant momentum, global and regionally scaled brands will need to convert their sustainability and responsibility initiatives into meaningful B2B conversations and pack them with repercussions for failure.

3. Accessible fairness: Ethical must democratise if it is to be adapted at scale. In other words, consumers shouldn’t have to choose between the right thing to do and the right price to pay. “CSR will no longer manifest as luxury products and services (as with current green and Fairtrade options), but as affordable solutions for those who most need quality of life improvements.” The Prius, says Visser, is laudable but largely unaffordable. As such it can never be more than an incremental answer.

Brands must open up responsible actions to everyone not just those who can afford them. The tensions in this suggestion are obvious. I wonder if this is an opportunity for VJ Govandarajin’s concept of “reverse innovation” – products that are affordable and that, through their affordability, help everyone participate in changing the world for the better?

I have argued for some time now that CSR gives out the wrong messages and that the term itself needs to be simplified in order to be clarified.

We need to lose the “corporate” in CSR in my view because it implies a big business approach and therefore reputation-focused activities associated with Greed, Philanthropy, Marketing and Management.

We probably need to lose the “social” because the issues that organisations are grappling with, and the answers they will need to find in response, reach far beyond the purely social arena.

But we should retain “Responsibility” because to me that is the focus: the onus on organisations and the individuals within organisations to be responsible and take responsibility. It’s clear. It’s far-reaching. It requires everyone to take a position (and that position is active). And it sets a clear benchmark for every brand in every sector going forward.

“How responsible are we being?”

What do you think?

Acknowledgements
Image of “News Paper Origami Dragon Monster” by epSos.de, sourced from Flickr

Further

Connecting your brand and your social responsibility policies

Video of Dame Anita Roddick on why CSR has failed in her view: http://www.youtube.com/watch?v=4sHbOcd8HTI

CorporateWatch on the arguments against CSR

9 things you should know about branded language

By Mark Di Somma

President Obama word cloud

1. Language is one of the most important definers of any brand. The language you choose, the language you don’t choose and the language you choose to replace are a reflection, and in some senses a definition, of your priorities.

2. Language underpins perspective: it not only reveals how an organisation feels about a matter, it also signals how that organisation might be expected to approach and resolve that matter in the future.

3. Language defines relationships. Your tone reflects how at ease you feel in your own brand skin. Formal brands use formal language, and that formality rubs off into their dealings. Relaxed brands use more informal, chatty language and help their customers feel at ease. If your tone and manner don’t reflect your values and your personality, your communications will always feel awkward.

4. Language is instinctual. You may need rules to start with – but in time you should know whether a communication is “on brand” or not from how it feels. The best brands have language that goes without saying. It is embedded in who they are, and therefore how they express themselves.

5. Language must communicate. Truism, yes – until you look at all the gunk that pours out of brands and realise that too many of them have too little to say of any significance or interest. If you’re not adding to the meaning, say nothing. It means more.

6. Language should be jagged. It should have sharp edges that cut across the normal patter. Here’s an interesting challenge. Run a word-cloud on your website
like the one that Jason Morrison ran on Obama’s speech to Congress (above) and see what it comes back with. If you spy nothing but the same, safe, predictable language as everyone else, you need to make some changes. Try finding new and exciting ways of talking about what you do. Take your language cues from your values, your worldview, your personality (naturally) and most importantly of all the personas of your customers. Talk with them, not at them about the things they want to hear about. Take your cues for this from your social media results – most searched words, hashtags that people are interested in, most popular categories for you etc.

7. Language is keywords. In addition to re-expressing your brand, look to own a small collection of words in the minds of your customers and your staff. Martin Lindstrom found 74 percent of consumers associate the word “crunch” with Kellogg’s. Another 59 percent consider the word “masculine” and Gillette as one and the same. Disney, he says, owns a whole lexicon built around its kingdom of fantasy, dreams, promises, and magic. over 80 percent of the world’s population directly associates “dreams,” “creativity, “fantasy,” “smiles,” “magic,” and “generation” with Disney. The result is what Lindstrom describes as a “smash-able” brand. You can take any piece of any experience and, even with no visual cues, it is instantly recognisable as Disney. Same with Absolut vodka. In their case, their name is so integral to their language that it functions as a language anchor.

100 Absolut ads
8. Language changes perceptions.
As Frank Luntz says it so perfectly, “It’s not what you say that matters, it’s what people hear”. When NGOs talk about what’s wrong in the world, customers hear a brand that is negative. When they talk about what could happen and what they’re aiming to improve, people “hear” a brand that is uplifting. When Oxfam found that their “against poverty” message wasn’t working, they very successfully shifted to a way of talking that was “pro-humanity”. Receptivity surged. That’s because changing the language changes the premise. It redefines/ refreshes/challenges meanings that people feel they know. It requires people not just to rearticulate what they believe but to express that belief in a way that they may well never have thought of before.

9. Language should shift. Or at least it should as you become more familiar with people and they become more familiar with you. The way you talk to a prospect should be noticeably different than the dialogue you have with a loyal buyer. Plotting those transitions is critical. See this post on the MotivationMap we use at Audacity for more details.

Acknowledgements
Word cloud of Obama’s speech to Congress generated at wordle.net and posted by Jason Morrison. Sourced from Flickr.

Image of 100 Absolut ads sourced from Absolutad.com

Further reading
http://www.jasonmorrison.net/content/2009/word-clouds-what-are-they-good-for/

What have you never questioned?

By Mark Di Somma
Loops are driven by habit and comfort

Every business has loops. Some are driven by fear, some by tradition, some by distraction, some by lack of awareness or industry convention.

Everyone says they’re looking for “competitive difference” – but then, in the race to get it right, they copy each other’s ideas, they mimic each other’s thinking, they catch up with each other’s formulas, they pile onto Facebook alongside everyone else. Sometime later they wonder why their sector seems so much more competitive. Why wouldn’t it be? As conformity grinds down diversity, there are more and more companies in every sector but less and less real choices for customers.

The irony of loops is that the more people behave in the same way, the more assured they feel and the less distinctive they become.

People too get used to thinking certain ways, doing certain things. And slowly, inevitably, workplaces get into loops as cultures become set in their ways. They talk themselves into believing that the best way to make their loop competitive is to leave it as is but to make it go faster – to outpace the other loops. They bind conformity into their language. They do more of the same, more quickly, and congratulate themselves on their productivity.

Same applies to customers. People get used to things, very used to things, and then bored with things. All the way through the first 2/3 of that cycle they want more of the same, and more, and more … And then they want to move on. Blackberry went from customer hero to technological hermit in no time flat. The Palm went from the pocket to the bin as novelty faded and new options beckoned.

It’s human nature to loop because loops are driven by two powerful centrifugal forces: habit; and comfort.

Loops get companies stuck. Think of any company that’s gone under recently. Chances are it was killed by a loop. Think of brands that are fighting to stay relevant. What they’re really fighting against oftentimes is their loops, their own logic, as they shed value with every turn. Think of brands that have commoditised. Loops again.

Here are six sure signs that you are in a loop:

  • You have a “stable” business. (Stability is a dangerous state for any brand, because so often it signals complacency.)
  • Sales are arcing down or at least they have plateau-ed but no-one seems worried. It’s explained away as a cyclical blip or as a symptom of the economy.
  • “But we have a better product/better people” is used to explain away almost any adverse result.
  • There’s a lot of talk about history and tradition. The internal mentality is one of preservation rather than pre-emption.
  • Concern about looming or converging competition is dismissed as “scaremongering”.
  • The customer pool is shrinking. Everyone’s too busy to notice.

But how do you find and correct something that is so much a part of your day, so much a part of how you think and work, so much a part of what you expect?

Actually, you start right there. By asking: what have we never questioned?

It’s an idea I call The Feynman principle, based on the workings of scientist Richard Feynman. The principle: always question what you do know before you enquire about what you don’t know. Feynman saw assumption as the greatest enemy of inquiry, but instead of limiting his focus to how assumption might jeopardise new fields, he continued to question the levels of in-built assumption in what was accepted as known.

So much “innovation” focuses on creating new things in order to move forward. Loop-breaking is about honestly questioning those things that, through force of habit and comfort, have gone un-litigated. Start small. Start with what feels so familiar, too familiar. Start by putting  the question out to everyone who works on the brand. And don’t ask once. Pin the question where everyone can see it. Ask every day.

Acknowledgements

Photo “Merry-Go-Round VII” by isapisa (Isabell Schultz), sourced from Flickr

The new traceability

By Mark Di Somma

Flogging a dead horse - as beefAffordable “beef” that’s actually made of horse. Professional athletes who haven’t won what they’ve won legally. Acclaimed investors who turn out to be running Ponzi schemes … The great threat to claiming achievements going forward isn’t credibility. It’s incredulity. It’s disbelief that what one sees, that what has apparently happened, is true. It’s nagging scepticism on the part of investors and customers that the extraordinary must somehow have been artificially, or illegally, manufactured.

Such an atmosphere has enormous repercussions for brands, because of course brands generate much if not all of their value through trust. Evaporation of that trust creates two dangers. Brands either stop trying to be remarkable. Or they try too hard. They commoditise. Or they cheat. Either way, eventually they lose.

Such doubt also changes the rules for what companies need to communicate. Specifically, it suggests a shift in how companies and brands explain. There is little point now in announcing that you have pulled off the impossible (unless, as in the case of Felix Baumgartner, the  impossible can be clearly witnessed). Instead, brands need to be able to show why what has been achieved was possible. How was it done?

How can the “lasagne” be so cheap?

How can one man keep winning race after race?

Why are the new jeans even more affordable?

How did that newspaper know that much about that person?

How did that fund manager make that return?

The new traceability doesn’t pivot on whether a brand has met an international standard. It  revolves increasingly around proving the authenticity of the back story: how a brand has succeeded and still stayed on the right side of the ethical threshold. As the scrutiny around “success” continues to tighten, this will require a candour and a level of explanation, perhaps around methodology, that many will grimace at because it may mean disclosing what they have always held close. But it’s how businesses will increasingly be asked to explain what was once accepted as “almost too good to be true”.

Acknowledgements

Photo titled “Happy Horse” by nathanmac87, sourced from Flickr

More reading

Sustainability: Being good, not just doing good

Every pitch is a story

By Mark Di Somma

The purpose of a pitch is not to sell what you do. It’s to explain in the clearest terms why someone should look forward to doing business with you.

Tell your pitch as a story
Don’t pitch to your prospect’s greatest wish. They already know that. Pitch to their greatest fear. Tell them the story of how you will help them overcome the risks they face to emerge triumphant.

If you haven’t already done so, watch Nancy Duarte’s inspiring TED speech about how to structure a great presentation. As she says, every great presentation needs a combination of facts, insights and story. A pitch presentation, and indeed a pitch document, are no exceptions. To paraphrase Nancy, a pitch is your opportunity to change your own world by changing someone else’s.

If you don’t want to follow Nancy’s great structure, try the Pixar story approach:
Once upon a time there was ___.
Every day, ___.
One day ___.
Because of that, ___.
Because of that, ___.
Until finally ___.

Or take a leaf out of Get Them to See It Your Way, Right Away by my dear friend Ruth Sherman (better yet, read the whole thing):
State your main message
Add key points
List benefits
Examples, stories and vignettes
Summarise and specify next steps

Different pitches need different approaches. The key thing is that you take people with you on a journey that is motivating, challenging and at the same time reassuring. Increasingly, I actually construct pitches in the same way as you might think about the storyboard to a movie (sometimes I even base them on a movie), with transition moments, reveals, twists and of course a great ending. (Actually I got the idea to do this from Ruth. It’s in her book.)

Here’s another fun idea. Take the same facts and try telling your story in a number of ways to see what makes it most effective. It will also help you land on the right structure. Then get people to pitch the storyline back to the team in a three sentence synopsis. You’ll be surprised how different storytelling can change the tone, the feel and the fit. Here’s an example of three very different approaches:

  • Titanic (bold, dramatic, epic)
  • Annie Hall (quiet, reflective, questioning)
  • CSI (detailed, problem-solving, subtle)

Choosing the one that’s right will depend on the nature of the project, the personalities of the people, the risk perceptions, the confidence they have in you … all manner of things. But trying out different approaches in-house will help you find a distinctive and deliberate voice to pitch for that business to that client in that situation.

Finally, don’t just think about the presentation itself. Very few people just turn up to see a film that’s playing. They come to see a movie because they’re excited to see what they’ve heard so much about. Maybe they’ve read a review or seen a programme or their favourite blogger has mentioned something.

In the same vein, to lift the “look forward” factor, I think you should, whenever possible, divide a pitch into three stages that span either side of the presentation meeting. The great advantage of this approach, when it’s done well, is that it effortlessly elongates the story:

The trailer – what are you going to do (if you can) before you even get to pitch in order to interest/excite the people you’re meeting. What are they going to see or hear that convinces them you are credible, interesting and worthy?

The presentation itself – how will you stage it, where will it be held, how many people will speak … detail, detail, detail.

The popcorn – what are you going to give them during the presentation or afterwards to remember you by? It could be a gift. It could be a pure piece of theatre. It could be both. One of my all-time favourites was a pitch I heard of where the presenters wanted to underscore that the prospect was currently losing a million dollars every hour on a project. They announced this by ringing a small bell. Exactly 60 minutes later in the presentation they rang the bell again. After the presentation, everyone received a small bell in a box with the chief contact’s business card. Wow.

Acknowledgements
Photo of “Tell your story” by Wadem, sourced from Flickr

Further reading
The first look to look for in any pitch situation is the intention

What do you have: a brand or an identifier?

By Mark Di Somma

Identities are just a shadow of brands
Contention #1.
A true brand coalesces people around a business model – to buy, to work, to judge, to invest. True, it is, as Adrienne used to say, “the total experience of doing business with you”. But the experience is not the end – it is the means. The experience, just like all the other elements of the business model, works to generate trust, connection and distinction. It must do so deliberately, carefully and responsibly. It does so to deliver a premium.

Brands exist to earn margin beyond the going market rate. That’s their role, not their by-product. That margin can of course take various forms. It can be literal, in the sense of what consumers are prepared to pay. It can be cultural, in the sense that people with more talent are drawn to one marque over another. It can be financial, in the sense of enhanced EPS (earnings per share) for investors.

A brand that doesn’t generate, or intend to generate, that above-normal market rate is a brand in decline or no brand at all.

Contention #2. One of the key reasons we have such cluttered small and middle sized markets is that so many companies in those markets don’t have brands. They have identifiers that they call “brands”. In fact, they are signatures. But, in the parlance of a brand is not a logo, putting a name on a product or a firm, particularly an indistinguishable product or firm, doesn’t make it a brand. It simply makes it an also-ran with a name.

Companies then invest advertising money in their identifier in the hope that it will somehow gain value. What they are actually investing in is media-paid familiarity of their identity.

Contention #3. So much brand strategy is actually identity strategy, because it is based on developing an informed identity system, not driven by the need to develop a storied ecosystem capable of generating those above-market returns.

Contention #4. So much brand management is actually identity management – again because it seeks to control how the brand is arranged rather than overseeing how the brand is performing as a margin generator.

Contention #5. Many rebrands are really re-identifications. They modernise the hieroglyphics. They don’t redefine how the business will make money beyond the given market return.

Contention #6. Brands should be assessed for investment by senior decision makers and Boards on their ability to deliver to the key financial measures and indicators, not questioned on their affordability based on the key financial measures and indicators. As a Marketing Manager said to me just last week, “I’m struggling to get my Board to understand that I’m responsible for assets not opex items.”

Acknowledgements

Photo entitled “That’s Interesting” by Kevin Dooley, sourced from Flickr

How do you write a great purpose?

By Mark Di Somma

A powerful purposeA sizzling purpose sets out how a company intends to change the world for the better. Its role is to unite customers and culture alike in the pursuit of that intention. It’s a statement of belief, of hope, of pursuit. It’s born of a wish to see the world put to rights. Having fielded a number of enquiries this week about how to develop a purpose, I thought I’d share how I approach such a critically important task.

First and foremost, a purpose should never be developed in isolation. This affects your entire organisation. It should involve the senior leadership team to start with, and then be socialised for discussion. The discussion itself shouldn’t revolve around the words (because that quickly becomes semantic nit-picking). It should focus on the passion, on the biggest belief you share and on the implications of holding that belief for everything you do.

Start with the greatest good

Don’t tell your people and customers about what you want to see change in the business. State what you fundamentally believe must change in the world. Coke wants to see more happiness. Disney wants to see more magic. Virgin wants to see more rebellion. Google wants to see more things found. What does your brand most want to see happen? What do you passionately want to see stop? Whatever you decide: that’s the goal. And it should be one you are prepared to shout from the rooftops.

Make the strongest link

What is your brand going to do to make that change happen? The answer to that question must define your unique involvement. It must help explain why you are most qualified to be trusted in this pursuit and how everyone you care about (including of course your customers) benefits from you trying to get there. It must shed light on your agenda – and in so doing, it must reveal your humanity.

Ask for actions at every level

Your purpose should be the goal that everyone who works at your workplace and buys from your brand is most committed to see happen. That’s the big picture. But your purpose must also be able to be framed in such a way as to inspire people at a highly transactional level. Steve Jobs didn’t instruct people to “Think different”. Instead, he encouraged them to continually question what they were doing by asking: “What are you doing today to think different?” Such a benchmark question pushes people to evaluate their actions against the impact they will have. Such questions bring the purpose right down to what anyone is doing in any given moment. If you can’t frame a benchmark question from your purpose, it isn’t personal enough and therefore it risks being less relevant.

Examples that may inspire you

Virgin: Screw business as usual and let’s see what’s possible.

Google: To organize the world’s information and make it universally accessible and useful.

Twitter: The fastest, simplest way to stay close to everything you care about.

Starbucks: To inspire and nurture the human spirit – one person, one cup and one neighbourhood at a time.

The “Tell me again” test

Some years back, I was fortunate to meet author and speaker Ian Percy at a conference in the States. He generously gave me a copy of his wonderful and succinct book “The Power of Purpose”. It makes the business case for purpose powerfully and deliberately, and includes this simple idea that I use religiously because it separates in the clearest terms the business case for what you’re doing from the purpose you should promulgate. (Thanks Ian.)

Here’s how it works:

When you retire and your grown children or their children come to you and ask you to explain why you spent so much time at work, what story will they most want to hear? Will their interest match your purpose?

The wrong reason to have gone to work, because your grandchildren wouldn’t ask and wouldn’t be interested: “Tell me again how you achieved a year on year double digit return on capital.”

A wonderful reason to have gone to work, because people would always want to know: “Tell me again how you helped cure a disease that was killing a million children a year.”

Both statements aim for the same result if you’re a pharmaceutical company – the business can achieve highly attractive returns on capital by curing a significant disease – but the purpose, the reason you’re asking people to come to work, couldn’t be more different.

In the first instance, you’re asking people to show up to achieve a financial effect. In the second case, you’re asking them to help stop a child-killer.

Run the “Tell me again” test against your current mission. Now ask yourself this: Who’d want to hear about that again?”

A purpose that is not worth sharing is not worth having.

Acknowledgements
Photo by AuthenticEccentric, sourced from Flickr

Further reading
Purpose vs vision and mission

30 things likeable brands do

By Mark Di Somma

30 things likeable brands do

Being likeable is not about being liked by everyone. Likeable brands actually need to be very clear about who likes them and why and how they need to behave in order to continue to appeal to their community. 10 ways to build a truly likeable brand states the principles of likeability and is one of my most popular posts. As a companion piece, here’s my 30 point action list on how brands should systematically accumulate likeability. Order can vary.

If you want to be a likeable brand:

1. Decide who you want to be liked by – and what you want them to value you for. Better yet, find the (sizeable) group of people that want to buy and that no-one else likes. Pay them attention.

2. Have a clear, world-changing purpose that speaks to the people you want to reach – and act to realise that purpose in everything you do. Support things no-one else has thought to support and that your audience would like to see you support.

3. Know what your customers like. Talk with them about things that make them smile.

4. Make beautiful things – beauty in this context meaning the most wonderful way to achieve something. I can’t think of a single likeable brand that doesn’t hold design close to its soul. Bring joy to the people who matter to you. (Ignore everyone else)

5. Continue to give your customers new things to like about you. Surprise them. Enchant them. Charm them. Flatter them. Above all, involve them.

6. Be nice and play fair – state your principles and your values and stick to them. Be very public about that.

7. Decide who/what you don’t like in the world, why you are fighting to stop them/that and how you will articulate that. Rail against things that have your customers shaking their fists in chorus.

8. Seek support and loyalty – not popularity. Have meaningful metrics. If you’re just chasing the analytics, you’re just chasing shadows. Trending is not a business case.

9. Bang your own drum. Do enough to be recognisable in a category, but never conform to the extent that you become replaceable.

10. Bring people together. Be a gathering point, not just a buying point (and certainly not just a price point). Give them things to talk about. Encourage them to socialise around you.

11. Protect your reputation at all times, in all places. You’re never off the record, you’re never offline, you’re never after-hours – because none of these analogue ideas exist in a social world. Likeable doesn’t have business hours. If it does, it’s just ‘like for sale’ – and no-one likes that.

12. Sell the ways you know your customers like to buy.

13. Be where your customers would like to find you – and be there wholeheartedly.

14. Give your customers the service they deserve, and tell them why. If they’re paying a premium, give them premium service. If they’re paying less, do enough and explain why that’s what you can afford to offer them. Offer them ways to buy more/better (for a price) if that’s what they’d like.

15. Be humble – but proud. Front up to any situation. Put a face to the issue. Act quickly and decisively to put mistakes right. Apologise when you get things wrong. Explain but don’t make excuses. Ask for forgiveness if it’s warranted. Communicate, communicate, communicate … Be the brand people would like you to be.

16. Be worth the asking price (not just your margin) in everything you do. Purchase is the most powerful “Like” there is. Repeat purchases are the ultimate “Follow”.

17. Have a language that is all your own. It’s a code amongst the community. It binds people together in the simplest and most powerful way.

18. Love your clients’ world. Likeable brands walk in their customers’ footprints. They play in their neighbourhoods (psychologically at least) They’re likeable because they’re relatable. And being relatable makes them relevant.

19. Share secrets. One of the great ironies of our social age is that at a time when everyone wants to share, people also want to know or access something first. Take your customers behind the scenes. Show them something they would never expect to see. Offer to tell them something they would never normally get to know.

20. Anticipate a demand or a trend. Recognise a need before it is a need. Surprise is one of the most-powerful attributes of likeable brands. You have to be able to look past all the research and make the natural, intuitive decisions that blow people away.

21. Don’t just market, find ways to entertain. Sometimes the most powerful way to sell yourself is not to ask for the sale. Share what they will like. Give people something to read, something to watch, something to listen to or think about – and frame why you are doing so in terms that relate to your brand.

22. Do things for free occasionally – but understand that doing so should serve to make the purchases feel more worth it. Again, explain why.

23. Keep everyone in the loop. Talk about what’s going on. Ask for suggestions. Invite people to get involved. State your support for something that aligns with your purpose.

24. Share stories – and encourage stories to be shared. It builds community and trust.

25. Be there in times of need, doing what’s right. People will judge your integrity on how you respond to situations of need. Do it because it needs doing – not to make a buck. Feel human. Act human. Put a human face to what you achieve.

26. Make people feel welcome. But don’t be afraid to tell them if they overstep a boundary or try to take advantage.

27. Treat your customers – but always give a loyal customer more than a new customer. You can announce rewards or not announce them, up to you. People can earn incentives or just receive them in spontaneous acts of kindness.

28. Celebrate what you sell – and who you sell to.

29. Help people plan ahead. Provide them with clear processes and ample help. Encourage them to make you a priority by giving them incentives to act ahead of need.

30. Thank people – and mean it. Say you’ll follow up – and do. Give people more than they expected and without them asking, because, actually, they’re entitled to it.

What have I missed?

Acknowledgements

#30 by Andreas Lindmark, sourced from Flickr

Can you innovate too quickly?

By Mark Di Somma

Apple iPad 3 launch eventWhat is the right pace for a brand to transform in an iterative economy? So often we’re told that success will stem from pushing the innovation accelerator flat to the floor. As proof, we hear about those companies that failed to innovate or didn’t respond quickly enough – and were buried. But is that true?

Is innovation just about turnover, or is it more complicated than that? Where should brands take their cues – from their own development programmes, from their competitors, from the media, from their own marketing demands?

Where do you look for prompts when you have new work in the wings?

There’s a theory for this (of course) – diffusion of innovation. It revolves around two key aspects: an adoption process that generates critical mass (a.k.a the bell curve); and Professor Everett Rogers’ five influential factors concerning take-up:

  • Relative advantage – how much better the innovation is than its predecessor
  • Compatibility – how easily the innovation can be assimilated into everyday life
  • Complexity – how easy or difficult the innovation is to adopt
  • Commitment – how easily a person can try the innovation out before they commit to it
  • Visibility – how easily the innovation can be seen, recognised and endorsed by others

I would add three more considerations to his list:

  • Pace – how often are innovations announced, particularly if the product innovation cycle appears to have sped up (this may cause consumers to feel that the innovation has been rushed)
  • Similarity – how similar does this innovation seem to what came before it (and therefore how inclined are people to forsake what they see as minor improvements by ‘skipping’ a generation)
  • Excitement – how much attention has the innovation garnered both for itself and in comparison to other concurrent offerings coming into the launch.

Michael Schrage tackles the issue of how to pace change in an HBR post recently. He provides a great answer: “The issue is less about how fast CEOs are willing to move than how quickly their most reliable customers are prepared to change … Your own rate of change is determined less by the quality or price/performance of your offerings than the measurable readiness of your customers and clients … Their inertia matters more than your momentum.”

“The measurable readiness”. The critical success factor for innovation is not just speed to market, it’s speed with market. Scaled inclination. While consumers may have become very accustomed to witnessing change, that doesn’t necessarily mean they will participate. Observing change doesn’t mean that they will buy the change. Something causes them to switch. But something can just as easily can cause them to question.

And that questioning can occur not just before a purchase but also after it. Take the introduction of the iPad 3. It may have felt good to many at the time – but with the arrival of the iPad 4 so soon afterwards, “measurable readiness” for what the iPad 3 was and what it had contributed came under fire. A Toluna QuickSurveys poll found that 45% of the third generation iPad owners it surveyed were upset with Apple for releasing the fourth generation model just seven months after the former tablet’s release.

OK, the dissatisfaction didn’t affect iPad 4 sales, but it does sound a cautionary note I think to brands looking to “rush” the market. Innovators need to be very careful in their pacing of releases not to be seen to be leading consumers on or for that matter to be seen to be deliberately holding back.

I summarise it this way.

The 10 reactions to innovation:
People will buy something wondrous.
They’ll examine something that’s markedly better than what they have.
They’ll consider an improvement.
They’ll hesitate over an adjustment.
They’ll dismiss a lack of progress.
They’ll reject a mistake.
They’ll vilify a disappointment.
And if you fail to renew fast enough, they’ll look for a copy (at a better price).
But they’ll also forgive.
And they may even choose to forget.

Acknowledgements

Image of “Apple iPad 3 Event” taken by Blake Patterson (blakespot), sourced from Flickr

Purpose vs vision and mission

By Mark Di Somma

Purpose can't be filedI hope the days of vision and mission statements are nearly over. They’re the paperwork of traditional management models. They’re strategic compliance, and as such, they get deliberated over at great length and then forgotten. For the most part, they’re also self-centred – all about what the organisation wants to achieve for itself, all about how it intends to achieve whatever it deems important. They often don’t suit the much more open, interactive, social ways in which business is increasingly being done.

Visions and missions are words – sometimes very nice words – but that’s it. As Truman Capote once said, “that’s not writing, that’s just typing”.

A clear and vivid purpose on the other hand is much more demanding. It’s collective and individual. It stalks the organisation with a conscience. It describes what a brand knows must change in the world and the role the brand sees for itself in helping to achieve that change. It explains why people come to work. It gives each person a reason to be proud. It calibrates and guides thinking. It’s impatient. It’s optimistic. It’s the benchmark against which all actions are measured. It refuses to shut up.

The old benchmark: What purpose does this task/idea/approach serve?

The new benchmark: How does this task/idea/approach serve our purpose?

In actual fact, a purpose is a company’s mindset strategy. It determines the headspace in which people come to work and in which a company goes to market and competes. A wonderful purpose lays out an extraordinary intention that separates that brand from other brands around it.

Get your purpose right – and you have a cause that is powerful enough for people to leap out of bed every weekday morning and get to work. They are quite literally looking to make a change to the world they believe in because, as Hugh MacLeod expressed it so perfectly, “Life is too short not to do something that matters”.

This morning – what on earth did you come to work to change? The answer to that should never, ever just be filed.

Acknowledgements

Image titled “Purpose” taken by Sidewalk flying (Seth Sawyers), sourced from Flickr

How do you keep the magic? 7 ways big companies get it so wrong with long-term customers

By Mark Di Somma

Big companies find it hard to sustain meaningful relationships with customers

Everyone talks at length about customer engagement and the need to converse. The process is relatively straight-forward for high-street brands. They use the seasons, sales and releases to keep people coming back. There are timely prompts. But how do you keep customers engaged when they’re on a contract, for example, that may span several years or even a lifetime?

A while back, my company Audacity was involved in a complex, multi-layered change programme to transit a telecommunications company’s customer communications from paper-based to digital. Over the course of many months, we grappled with all the issues you’d expect: what needed to be communicated; when; how; through what channels … But one of the biggest issues we identified and addressed was how to evolve the tone of the communications over time so that they brought people closer to the brand. We identified this as crucial to developing meaningful, valuable and of course profitable long-term relationships.

Utilities, banks, telcos, car companies and insurance companies in particular seem to make seven crucial mistakes in managing a customer communications programme:

  1. They think paperwork is a relationship;
  2. They treat people as “the customer” rather than as individuals;
  3. They focus on conveying information rather than growing loyalty;
  4. They apply “flat” tone and manner guidelines that don’t adjust for the change in familiarity that should take place over time;
  5. They think of the communications themselves as set pieces driven by function or event (bills, policy changes, price rises) rather than integrating that functional information into a much more inclusive and interactive communications style;
  6. They use their CRM to “track” each relationship rather than looking for ways to increasingly humanise it;
  7. Customers receive multiple communications from multiple parties with multiple priorities. As a result, they don’t feel like they are dealing with one organisation throughout the journey. Instead they talk to one part of the entity about one part, and another part of the entity about another, and the manner and style of those conversations can be very different.

Inspired by the work of David Court and others at McKinsey in developing the “consumer decision journey”, we developed our own version of such a journey specific to communicating within a relationship rather than the purchase consideration process itself.

The Audacity Group MotivationMapIt’s underpinned by three key thoughts:

Inclination is king. The purpose of communications is to accumulate loyalty and each step up in the process represents a change in the loyalty dynamics. It’s not about the number of communications customers receive, but that everything a customer hears from and about a brand works together and consistently to incline them more and more towards the brand. You can’t just be interesting at first. You have to remain stimulating and relevant over time and from every angle.

Communications should be experiences, not just information. Brands need to design what customers continue to experience so that they exceed what customers just expect to receive. Anchoring core communications in agreed channels at set points throughout the journey gives the relationship structure. But then, on top of that, using more immediate and responsive media adds spontaneity, surprises, interest, rewards, up-sells and fun.

The tone and manner should keep pace. A brand’s communications must always report to its tone and manner and visual guidelines. But the journey remains interesting and engaging when different aspects of the brand’s personality come to the fore over time. Specifically, the transition points in the journey are opportunities to adjust the tone so that it becomes, and feels, more familiar as customers become more committed.

Audacity’s tool, MotivationMap, literally maps the change in dynamics that should occur in how a brand communicates over time. The goal is to continually match the tone of communications with the inclinations of customers throughout their relationship with you.

At first glance, the topline view of the model (above) seems very simple. The intricacies come in how it is applied – for example, the “prompt” points that step people up from one level of commitment to the next; and the fact that the motivational process is not a one-off. There is not one consideration point. There is not one bond point. In fact, the whole journey occurs simultaneously at different levels throughout the relationship: there is the inclination that people have towards the company as a whole; and the inclination they feel towards each offer/opportunity they are presented with. The greater the overall bond, the shorter the journey for each offer (in theory at least). The more offers that are taken up, the greater the bond.

MotivationMap is a model that continues to evolve. For example, one thing I’ve been working on is the final step of the journey: learning to say goodbye properly. It’s a reality of doing business today that I touched on in this post.

Let me know if you’re struggling to marry what you know about your customers with what you tell them and how you converse with them. Please leave a comment or email me: mark@markdisomma.com.

Acknowledgements

Untitled image of a corporate building by ^W^, sourced from Flickr
MotivationMap is a tool of The Audacity Group in New Zealand

The first thing to look for in any pitch situation is the intention

By Mark Di Somma

So you’ve been asked to pitch for some business. The most natural thing in the world is to focus on your intentions – whether you want to pitch, how much resource you’re prepared to throw at it, the timing, the deliverables …

What often goes unasked (and unanswered) is why the invitation to pitch is being made in the first place. That matters because it helps identify who your real competitors for the business are, and therefore whether you believe you have a genuine chance of winning the business on terms that are acceptable and sustainable to you.

Question the intention of every pitch

Six intentions

Some organisations have to put their business out to pitch – it’s policy. Chances are they also do this a lot, so it’s a process for them – which means their intention is to do what they always do. They’re going to be looking for good process back. They need to see that in addition to taking away their problems you can and do do things by the book. Your biggest competitor in this situation is a return on your investment. You’ll win if you’re the safest pair of hands, but chances are all you’re going to win is this piece of work, because the follow-up will almost certainly be pitched as well. Do your numbers and your resourcing very carefully for projects like this.

Some organisations are tyre-kicking. They want to see what’s out there, and they want to see people compete for their attention. So they send out the commercial equivalent of an ‘open call’ and wait to see what walks in. This situation – commonly referred to as “the beauty parade” – generates a line-up of attractive companies in a revolving door pitch that sees an entry and exit on the hour. The way to win is to be impressive, and lucky. The biggest thing you’re competing for is attention. Bring fireworks. The show is usually more important than the tell.

Some organisations are trawling. They need ideas – and the simplest and most cost effective way to source them is to go out and get them from the market under the façade of the pitch process. Alarm bells should go off if you hear anything like “we’ll know the answer when we see it” or “We just want to see your ideas”. The natural inclination of many service organisations is to help. So they prepare a pitch where they tell themselves they’re convincing, when in actual fact they’re solving. In particular, watch for pitch situations where the organisation receiving the pitches retains control of the ideas, either as of right or in exchange for a nominal fee. Your biggest competitor in these situations is loss of ownership. We’ve all watched people prepare a pitch, lose, and for those ideas to somehow find their way into the final thinking. Be disciplined about what you reveal. Show enough to prove they need you – then have the confidence and pride in what you do to stop.

Some organisations are genuinely looking to change. These are the pitches that really count because these are the situations in which a company is not only most motivated to look for new ideas but also to look for new generators. The key dynamic in this circumstance is almost always action. The biggest competitor is your perceived ability to generate momentum versus how others are perceived. Show up with a strong understanding of what’s going on, some searching questions, some telling insights and a plan of what you believe can be done in the first 90 days. Bring proof you’ve pulled off what’s required before, it was just as scary and it worked. If you can’t bring a similar example, bring case studies and testimonials that demonstrate your ability to lead and to be trusted.

Some organisations are really looking not to change. They may be making genuine-sounding review noises, but in point of fact, the pitch is really just a means to an end that you’ll never be privy to. There is no competitor in this situation. Because there is no genuine intention to do anything. If the reason for pitching is not clear, if the objectives seem muted and you only receive vagaries for answers, decline politely.

Some businesses just want to cut cost and pitching is a way to solicit participation in that process. They may or may not be open about that. The pitch invites that always cause me concern are the ones that focus on “this is your opportunity to work with a prestigious brand” or “this is the first of many projects we have planned”. There’s a good chance that working with these companies is going to cost you – in margin, in time or both. Unless you have a genuine low-cost model that you can work profitably to advance both businesses’ agendas right from the outset, I’d walk away. If you do have a low-cost model and you do decide to stay, be very clear about the service expectations and resourcing that come with that model from the first project on. Chances are that a company that wants to save costs still expects to have high-touch service. If you can’t afford to deliver that, make your case, set a negotiation point and don’t go beyond it. The company that “wins” in these situations is the company prepared to forsake the most profit. The biggest competitor is the urge to stay and make things work somehow because you hope the other party will be reasonable. If that’s what you’re banking on, sorry – but you’re on a hiding to nothing.

The four questions I recommend you ask

I find a lot of wheat and chaff sorting can be achieved very early on in the pitch process with just four questions. The next time you’re invited to pitch for a piece of business, ask:

1. Why have you put this business out to pitch, and what do you hope to gain by doing so?
2. How did you decide who was on your pitch list?
3. When was the last time you ran a pitch of this size?
4. What was the result of that pitch – did the business stay with the incumbent or did it go elsewhere?

You’ll build a rapid profile of the business’s intentions, and therefore the identity of the real competitor(s), from what you’re told – or not told.

Acknowledgements

Question mark made of puzzle pieces taken by Horia Varlan, sourced from Flickr.

Familiarity 2.0 will bring brands amazing opportunities and new challenges

By Mark Di Somma

It’s easy to underestimate the huge changes that have taken place in the dynamics of the brand-customer relationship in recent years. Brands and consumers are now engaged at whole new levels of familiarity. Facebook, Twitter, LinkedIn et al haven’t just brought people closer, they have enabled entirely new types of brand community to evolve and develop. But as we shall see, they have also expanded expectations in terms of responsiveness.

I’ve dubbed this heightened connection Familiarity 2.0 (because to me it really does equate to a new era of acquaintance).

Familiarity 2.0Research shows consumers increasingly valuing brands that they feel fundamentally understand them and that interact with them as human beings. According to the Brandfog CEO, Social Media and Leadership Survey 2012, customers now expect to have direct access to brands and brand leaders. What’s more, the survey shows, there is a direct connection between social media participation, purchase intent and increased brand loyalty.

The days of the brand being on one side of the counter and the customer being on the other are coming to a close. Increasingly, transactions are part of a wider and more open exchange. Purchase is an expression of the brand-customer relationship rather than its sole goal.

The opportunities arising from this social shift are enormous. Familiarity 2.0 paves the way for brands to continue to extend relationships so that, more and more, the relationships themselves are two-way. In fact, Familiarity 2.0 dynamics will change how brands evolve by redefining who they involve. Customers will literally become participants in a brand’s business. They will have opportunities to be active contributors in exchange for recognition, rewards (perhaps) and the thrill of collective involvement.

As these dynamics mature, brands could well look to their customers to help them:
•  Accelerate product development and improvements;
•  Enhance and personalise experiences;
•  Drive market-powered innovation;
•  Test ideas in specific or developing markets; and
•  Realise responsibility initiatives.

More and more brands will globally source competitive ideas across the full range of their activities from an engaged community of brand advocates. Kickstarter meets Skunkworks.

That’s the upside. It’s already here in places. But to me, it is far from pervasive.

However, a heightened sense of familiarity will also generate interesting challenges. Here are four:

1. As the lines between “them” and “us” blur, and brands act much more like communities, the lines between those working inside the brand and those who buy and believe in the brand must also blur. People from both “sides” will interact more openly … That will inevitably raise many more questions than are already being asked about what can be shared and what can’t, by whom, how etc

2. Shared beliefs will cement brands and audiences more overtly. That in turn will evolve what communities talk about amongst themselves. Inevitably brand managers will want to know how those conversations can and should be managed. Marketing managers for their part will need to find new equations to more accurately correlate activity and profitability.

3. Impatience will increase. As consumers think of the brands they buy as increasingly ‘like them’, they will expect those brands to respond not only more personally but also much more quickly. As the infographic with research conducted by Software Advice  shows, we are a long way from that reality, so brands will need to find a way to temper the advantages of familiarity with the judgements that consumers will make about brand-quality and customer service when responses are not as forthcoming as they might like.

4. Perhaps the biggest challenge facing brands though will be where they draw the line in terms of customer intimacy. When is close too close? When does data become invasion? For that matter, at what point does conversation just become banter? How do brands avoid becoming too familiar – so well known, so understood, so much a part of everyday life that they lose any sense of mystique. As George Sands once observed, “Admiration and familiarity are strangers”.

Acknowledgements:

Photo titled “realizing” taken by The Alieness Gisela Giardino, sourced from Flickr

Seeing past the problem

By Mark Di Somma

What do you see when you look at a problem?Every transformation programme I have ever worked on has been set in motion by a problem. And in every case the issue that has galvinised action and that everyone is so focused on answering is not the real problem at all.

As Simon Sinek has observed, people intuitively deal with what they know before they deal with the things they don’t know or feel less comfortable dealing with. The easiest question, and the place most people start is “what?” They deal first with the symptoms they can see and quantify. And often they address them with a “how” that is equally familiar – the methodology they always use.

But while a particular problem may have set off the trip-wire, in reality that problem is probably a symptom of what’s really happened rather than the real cause.

It’s the prompt.

And just having a way to address that problem does not guarantee any quality of answer. It simply provides a process for everyone to map to.

Do you know the lovely story of Abraham Wald? His reasoning shows why what you think you see can be so misleading. The mathematician was called in to determine how to make bombers safer during the Second World War. Everyone agreed they needed more armour. But where? Armour is heavy. If you put it everywhere, the bombers would never get off the ground. The answer seemed obvious. Put the armour where the planes were being shot the most. So Wald went to work and sketched all the places where bombers returning from their runs were most shot up.

But then, in his analysis of the situation, Wald turned everything on its head. The areas of most apparent damage were not the problem, he concluded, because they appeared on planes that made it back. The real areas of vulnerability on a bomber were those areas that weren’t marked – because planes shot there were the ones that never made it home.

Wald’s wonderful insight was to resist the temptation to ask “what am I looking at?” and to ask instead “why can I see this?” It’s a reminder to all of us. As are the words of the philosopher Karl Popper who said, “Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.”

Here’s what I got out of both men’s approaches. The next time you’re grappling with a marketing issue, don’t focus on the symptom or the approach, focus on the situation. And don’t veer towards what you understand. Set a course for what truly isn’t making sense.

Acknowledgements

Photo of man looking at us by Bryan Gosline, sourced from Flickr.

More reading

The strategy of radical beauty
Crunching on cacti
The contradictions of eyelashes and data

If there’s a transformation issue I can help you with, please contact me.

Shifting brand responsibility

By Mark Di Somma

Shifting brand responsibilityLet me make a suggestion to brand owners in the interests not just of transparency but of greater consumer belief. Stop communicating your efforts in sustainability, diversity, traceability, environmental contribution, fair trade etc as corporate social responsibility obligations. Instead, act on them, and account for them, as differentiating inclinations.

And frame those inclinations within a broader, singular superset: your brand’s distinctive sense of its responsibilities.

To that end, let’s stop talking about reporting. It smacks of obligation and compliance rather than commitments and contributions. And I would suggest, change the way your responsible actions are shared to make them more involving. Less paperwork, a wider range of sincere and honest conversations, with more people, across a broader range of platforms. In other words, make the discussions around how you behave ongoing, less formal and truly “social”.

Just so we’re clear, I’m not for one minute advocating that the activities identified above go unaccounted for. Quite the opposite. I am advocating a change in spirit. I am suggesting that the underlying question that has driven corporate social responsibility reporting for so long – What has [our corporate] done that could be deemed socially responsible? – is fundamentally, even cynically, flawed because businesses have been able to engage in behavioural offsetting: announcing and promoting their contributions to good at one level and, at the same time, masking or downplaying the damage they are doing elsewhere.

As consumer demand for brands to be genuinely and holistically responsible continues to climb, let me suggest two shifts:

A change of platform: from the Corporate section of the website to part of the ongoing dialogue on popular social media.

And, as part of that dialogue, a new set of questions to which answers are both given and sought:
1. Where do our responsibilities lie? (scope)
2. Who are we responsible to? (stakeholders)
3. What are we responsible for? (actions)
4. How responsible have we been? (analysis)
5. What can all of us take responsibility for helping to change? (community-sourced innovation)

Acknowledgements

Photo of the cover of a leaflet from Starbucks by Howard Lake, sourced from Flickr.

More reading:

Why are you waiting for things to improve? 10 ways for middle-market brands to tackle austerity now

10 ways for middle-market brands to tackle austerity nowBy Mark Di Somma

There’s nothing to suggest that the global “downturn” is about to upturn any time soon. We’re in the middle of a sustained bear and nothing in the economic news – America’s debt, China’s slowdown, the flat-footed European economy, Britain’s economic woes, commodity trends – suggests a sudden and universal change of fortunes.

Austerity is the normal. It’s not a market trend. It is the market.

And yet so many businesses say that they’re holding on and waiting for things to change for the better. Once the economy improves, we hear, they’ll be able to start growing again. That implies they do not see adaptation as their responsibility. They continue to apply the same models and mindsets that they have been applying. They are literally waiting for light to show its face at the end of the tunnel.

A better strategy would be to adjust to the tone of the times we now face. Too many brands are trying to sell to a market sentiment they hope for rather than one that realistically prevails. Setting aside the more obvious market strategies of bargain brands and luxury manufacturers, how do middle-market brands attract buyers and gain preference today?

Start by recognising the human factors:

Everyone still loves to be inspired. Excitement is a timeless sentiment especially in times of perceived bleakness. But the adrenalin rush of naked materialism is perhaps less appropriate today than the powerful sentiments of empowerment, hope and resilience. Materialism is increasingly seen as pre-GFC. People still want to believe. Human nature is to look forward. The key for brands will be how they tap into that in order to tie momentum and a realistic sense of progress to what they’re offering.

The familiar is even more important. In a world where change is trumpeted in the press, instability pushes many towards what they’ve known; the things that feel ‘proven’ to them. A recent survey by JWT, cited here, suggests the over-riding priorities for most people are health, time with family and control over their lives. People want to care, and they want to feel good about the things they care about. Tap that.

Rituals, habits and rewards have renewed significance. This is very much an extension of the previous point. People enjoy the familiarity and the immediacy of doing things they know, love doing and are comfortable doing with or alongside others – especially when they work in times that see them under increasing pressure. Rituals also suggest a renewed interest in planning, in thinking ahead and having things to look forward to. A beer at six is a habit. A family Christmas or a regular holiday is both a ritual and a reward. It requires thinking ahead to fulfil something that has a specific timeframe for all involved. Provide things for people to look forward to.

Local matters. Another extension of the above. Home-grown brands feel like “one of us”, are familiar, contribute to the wishes to build strong communities and to give back, and come with [unstated] implications of less risk. People draw strength and comfort from what happens in their vicinity.

People love a bargain, but not at any price. Research by Trajectory suggests that recession-sensitive consumers are more aware of price and less loyal (no surprises there), but still prefer brands that couple value with values. Brands need to be responsible, and to be seen to be responsible – in the broader sense of the word.

Now apply those insights to your strategies.

  1. Give people not just real hope, but a refreshed sense of hope. The hunt for happiness has shifted from what people own to what people have around them, but it’s still very much present.
  2. Raise their adrenalin rate.
  3. Give them more of what they know you for (or more particularly more of what they choose you for) – perhaps with a twist, perhaps not.
  4. Suggest [new] things to do that they will enjoy doing, or new ways of doing what they enjoy doing now.
  5. Give them new things to value but in ways that reflect what they want to value these days.
  6. Act responsibly – and call on others to do the same.
  7. Demonstrate that you ‘belong’ here (wherever ‘here’ is).
  8. Give buyers what they feel they can afford or deserve without making them feel cheap.
  9. Encourage them to think ahead by offering a pay-off for planning.
  10. Give them rewards that sincerely acknowledge the effort they’ve put in.

Combine to compete

None of these ideas is new. And one could well argue that no one idea will work by itself. Rather the competitive opportunity for your brand lies in how you develop your own mix of these sentiments to re-incline consumers to what you offer via what you are seen to stand for.

Be a provocative, exciting, proactive, responsible, relevant, practical, familiar, valuable and evolving presence in people’s lives. That’s always going to be a lot more interesting and competitive for your brand and to your customers than waiting for the world’s economists to start whistling a happier tune.

More of my thinking on market leadership here:

The strategy of radical beauty
Market leadership: you can’t lead as a brand if you follow another brand.

Looking for a speaker on this?

Market leadership is a topic I really enjoy speaking about. Get more details. Or sign up here and let me keep you up to speed with my presentations.

Acknowledgements:

Image of “Austerity ahead” road sign by 401(K) 2012, sourced from Flickr.

Actions and reactions: two very different drivers of market agility

Actions and reactions are a strange two-speed dance in the context of market agility. By Mark Di Somma

Actions and reactions are a strange two-speed dance in the context of market agility.

Reactions are the responses that competing companies must actually make together and in a co-ordinated manner to shifts in market dynamics and/or customer expectations. Doing so sets a new norm over which the participants themselves can then compete.

The airline industry generally, with the exception of the upper-market carriers, has reacted to economic pressures by dropping ticket prices and introducing fees for services. Shifting the emphasis from prestige to transport, and charging people for everything and the seat has reaped them billions. They did that together.

As this article on the resurgence of Hollywood ticket sales shows, movie-makers have responded to the surge in available content and home entertainment gadgets by delivering experiences that still make it worth their while for people to go out and see a movie at the theatre – action-packed franchises, amazing sound, 3D; features that continue to make cinemas the biggest and best way to see a movie. Again, they did that together.

Both sectors have looked to change the overall rules, meaning there’s now a new collective sector playbook that in itself generates new standards, new expectations, new reactions and perhaps new competitors.

Contrast that need for largely consentual change by an industry with the dynamics required to then take competitive actions within the new rules. Here the emphasis in sectors ranging from FMCG to technology is increasingly on first-to-market speed, initiative and rapid product prototyping leading to validation. As Frank Days points out in this interview, there’s an increasing push towards agile approaches. In fact, Day went so far recently as to suggest that “the marketing plan is dead”, saying he preferred thoughtful reflection and prioritisation to a more documented approach. His advice? “Think like a scientist. Generate new hypotheses and find rapid, low cost ways to test new ideas. This is where the breakthroughs come from.”

I’m fascinated by how these apparently contradictory ideas need to work together.

Without constant vigiliance and reaction, sectors are in danger of being overtaken, converged or devolved. Camera manufacturers, for example, face ongoing pressure from phone makers. If the industry as a whole does not react to that threat, the whole industry is in danger. So there is a need for collective attention to relevance.

Yet, ironically, while the new playbook is a necessity, it is also a false god because simply staying and moving within an evolved sector pack is not innovation. It is catch-up. It is meeting the new market normal. Failing to add value on top of that new normal quickly renders a brand replaceable. A camera manufacturer, for example, must distinctualise its offerings and brands within the photography sector itself, or face losing market share to higher-profile players or to outsiders offering camera capabilities.

In markets full of change, all change is not equal. Some changes that may appear radical advance everyone in the sector but change nothing competitively because, relatively speaking, the advantages don’t shift. Instead, the industry itself moves forward. Other changes, not even large changes, can see brands make significant gains against their competitors.

Increasingly, I categorise the differences between actions and reactions this way. Reactions are what everyone must do technically to adjust. Actions are what each brand must do to prove its worth over others.

Actions may speak louder than words, but actions and reactions are also judged by words. If you are introducing a change for your brand that amounts to a reaction, the change itself is not the hero – but it may be an opportunity to present change in a way that is different from how others have introduced it. And if the change you are introducing is an action, the action itself is as important for what it says about you as it is as a shift in what people expect.

One thing reactions and actions have in common. They both serve to evolve the market dynamics in which you compete. They add to how you are perceived. They add to the story you must tell and the conversations you must have.

Powerful brands always look for the humanity rather than the technicality in every change they announce, regardless of whether it is an action or a reaction.

They ask these three great questions:
1. What does this [action or reaction] tell our customers that they have been longing to hear?
2. What does it say about us that our competitors can’t say?
3. What does it say about us that we haven’t said before?

More of my thinking on this here:

How to make sure your company’s next strategy succeeds

Looking for a speaker on this?

Market agility and competitive value are topics I really enjoy speaking about. Get more details.  Or sign up here and let me keep you up to speed with my presentations.

Acknowledgments

Photo of couple tango-ing in the street by Ed Yourdon, sourced from Flickr

Pricing the ecosystem

Take a look at the diagram below courtesy of Ryan Jones (thanks for the point Marc Abraham). It shows how Apple spans its offerings over a surprisingly wide range of price points.

By introducing new lines, retaining older lines at degraded prices and through the use of provider subsidies, Apple delivers an impressive range of ‘step-in’ opportunities for customers to join its ecosystem.

apple-price-points

I’m intrigued by this because, from a brand point of view, these arrangements provide a powerful alternative to traditional “up-sell” approaches and to the discounting that brands so often use to make high-end products more available.

Apple’s approach enables the brand to retain its all-important brand equity whilst providing consumers with the means to address any price barrier in the way they feel most comfortable with. They can enter the Apple world uncommitted or very committed in terms of contracts, with a spec’d up or spec’d down product (which they will then be encouraged to upgrade/add to). Until I saw Ryan’s analysis, I hadn’t realised the sophistication and range of this strategy.

Some learnings:

Choice is not the same as access. In Ryan’s graph, Apple has used product, price, capacity and configuration to turn 3 lines into 25 different ways to buy. The choices shown here are simple: iPhone; iPod; and/or iPad. The technical features offer scope to pay more or less for each product without cannibalising the opportunity to invest in the other members of the family (where more choices are available). There’s always a way to buy what consumers want – and there’s always more to buy.

Consumers are buying the brand, but they are deciding on the user experience they want by how they buy. Apple and its service providers have carefully calibrated the user experience (in terms of things like speed) so that, day to day, consumers either pay for what they get or get what they pay for. Regardless, they do so without any compromise to the Apple brand integrity.

Price isn’t about price. It’s about quantifying commitment. Most brands ask for the sale. Apple, it seems to me, goes one step further, and uses price options to actually ask for the commitment on two levels. First of all, they ask consumers to commit to the product without any obligations and pay upfront for that freedom, or commit over time with obligations and defer the cost of doing so. Secondly, and more importantly, they want consumers to commit to more and more of Apple. The Apple ecosystem exists to make this happen. So they’re not just pricing each range so that it is versatile and defendable, they are using their full ecosystem (including all the products not mentioned here such as laptops and desktops) to actively enable one point or multi-point commitment.

People commit to what they enjoy – and the more enjoyment they get, the more likely they are to continue to commit. With apologies to Hotel California, people can step in any way they like, because Apple’s intention is to then make sure they never leave.

More reading:
How to make sure your company’s next strategy succeeds
Why innovation needs to engage, not just impress
Strategy: 11 ways to purposefully achieve growth
Know thy enemy
You can’t lead as a brand if you follow another brand

Further perspectives
Take A Lesson from Apple: A Strategy to Keep Customers in Your Ecosystem (forbes.com)

How to make sure your company’s next strategy succeeds

This fabulous article by Charles Roxburgh is a must read for every decision maker responsible for deciding the fate of a proposed strategy. It explores in fascinating detail how the brain tricks leaders into making “rational” decisions that are nothing of the sort. In fact, it reveals that all of us work to a set of biases that we must consciously resist.

While my recent post on Prussian cast iron medals addressed how behavioural economics can work to actively lift value and change perceptions for buyers, Roxburgh’s work is a sobering reminder that rogue decision making is alive and well. Much of what he describes in terms of European financial services is equally applicable to what happens in many other fields. In this post, I highlight Roxburgh’s key observations, his recommendations on how to address them, and the steps I look to take as a strategist to ensure that what I’m doing gets the fairest hearing it can from the decision makers I’m working with.

Settle in please for a longer-than-usual riff on how decision makers can fight the forces of human nature and lift the chances of strategic success:

1. Read the forecasts for any strategy’s outcomes with care. The chances of failure are much higher than we like to give them credit for. Optimism is built into our DNA as human beings, which is vital for creativity, but unless carefully controlled it tends to see even the most careful strategist inserting unrealistic stretch into plans in the sincere belief that such extremes can be achieved.

Roxburgh suggests:

  • Avoid presuming certainty or success.
  • Stress-test strategies under a range of two or four scenarios.
  • Add 20 to 25 percent more downside to the most pessimistic scenario and see what floats.
  • Build flexibility and options into your strategy to enable responsiveness either up or down.

What I also try and do:

Quantify the problem honestly even before you look for answers. Not just how big is the problem, but what are the implications of the problem and have they been addressed. Regular readers will know that I’m a huge believer in the Stockdale Paradox. To that end, I look to maximise the extent and gravity of a problem whilst always believing that there is a viable and positive answer. Being brutally frank about what needs to be tackled can make for some tense conversations and the optimists in the room will quickly label you as a pain the butt, but it’s absolutely vital to avoid drinking in the fairy dust.

It also tells you something that so often gets lost: how big the answer really needs to be based on what’s being tackled, not how big it’s allowed to be based on the budget that’s been assigned.

2. Invest money where it counts, not where it feels good. Richard Thaler’s principle of ‘mental accounting’ is that decision makers subconciously assign various levels of sexiness to different budgets and Roxburgh gives some great example of this in the article.

Roxburgh suggests:

  • Judge every call for investment consistently.
  • Don’t allow money to be reclassified so that it is then acceptable to spend.
  • Remember every dollar is worth a dollar, no matter what it’s spent on.

What I also try and do:

Keep the resources and the problem in the same frame the whole time. Make sure money is spent on the actual problem, and that the problem doesn’t become a reason for money to be spent on something everyone would prefer to be involved with. The very real temptation here is to pin the strategy on the problem: to assign an answer that everyone would like to see happen (and its accompanying resources) to a problem no-one wants to tackle head-on, in the belief that doing so will fix the problem or at least make it more palatable to deal with.

3. Recognise that status quo bias means people would rather ignore what’s really going on. Roxburgh explains that people would rather leave things as they are, that they are more concerned about the risk of loss than they are excited by the prospect of gain and that they often exhibit a strong desire to hang on to what they own because the very fact of owning makes whatever it is more valuable to the owner.

The results of this bias, according to Roxburgh, are that decision makers are reluctant to make big calls. “The challenge for strategists,” he observes, “is to distinguish between a status quo option that is genuinely the right course and one that feels deceptively safe because of an innate bias.”

Roxburgh suggests:

  • Be prepared to shed. View divestment not as a failure but as a healthy renewal of the corporate portfolio.
  • Be as rigorous in your analysis of what stays as what you want to change.

What I also try and do:

Know what you’re keeping and what you’re changing – and why. For me there are four key things to identify in discussions with decision makers around any strategic change programme:

  • What must we keep?
  • What could we keep?
  • What could we change?
  • What must we change?

Start with what must stay. In my world, for example, you absolutely want to retain the intrinsic goodness of a brand at every level, from goodwill to heritage to culture, and that’s usually where I start – with what a brand must keep in order to retain competitive value. For me, this more conservative approach of moving from the known to the unknown does give people anchors. It allows decision makers to use status quo bias to their advantage because a clear rationale for why some things are staying leads onto the tougher questions of what must be left behind.

4. Know that there’s no such thing as the foreseeable future. Anyone whose read “Black Swan” will understand the dangers that past patterns present in terms of predicting the future. However anchoring is a powerful human trait. It causes us to look ahead based on what we’ve already seen. Companies do this all the time in their expectations around performance. “What you did last year – plus X percent.” So often those numbers are arrived at with little or no context in terms of market dynamics. As Roxburgh says, and as readers of Nicholas Taleb will know, “Repeated studies have failed to show any statistical correlation between good past performance and future performance.”

Roxburgh suggests:

  • Continually question every assumption about where a market is heading
  • Don’t allow yourself to be swayed by “industry consensus”
  • If you are going to look at patterns, take a long historical perspective. Put trends in the context of the past 20 or 30 years, not the past 2 or 3.

What I also try and do:

Pinpoint the assumptions. Sounds straight-forward. Isn’t. If it’s difficult to know what we don’t know, it’s equally challenging to establish what we don’t question. Sometimes conventions and assumptions are so ingrained in ways of working that people fail to recognise them as fallible or even negotiable.

Look long for patterns – but judge how long by the dynamics of the sector. Some sectors evolve faster than others, meaning some have longer turn times while others shift gear much more quickly. What feels like a responsible timeframe to analyse trends in the finance markets (Roxburgh’s reference point) could be ridiculous in a sector like technology (which isn’t even 30 years old yet as a consumer sector).

5. Know where the exit is, and know when to leave. The sunk-cost effect sees companies continuing to throw money at a problem, long after it has passed economic viability, in a bid to salvage their investment and miraculously turn things around. No-one likes to admit they got it wrong, but knowing when to do so, and doing so decisively, is critical not just to saving resources but having resources available to adequately fund what replaces it.

I watch in despair as companies make “strategic” decisions to continue investing in products that have no hope of recouping that investment, never mind making a profit, because no-one is prepared to pull the plug. When the idea does fail, the blame somehow falls on “market conditions” and everyone puts on their best game face.

According to Roxburgh, sunk cost effect can be explained by loss aversion (companies would rather spend more than write off everything to date) and on anchoring (once the brain has been anchored to a budget, the additional budget doesn’t seem unreasonable).

He suggests:

  • Kill what can’t work – and do so as early as is reasonable.
  • Pursue several strategic options – taking a portfolio approach to your strategy allows you to go with what works and ditch what doesn’t rather than relying on one master plan.
  • Gate fund as a stop-loss mechanism – release follow-on funding for a strategy only once agreed targets are met.

What I also try and do:

Have a strong, future-set brand story. Set a very clear vision for what a brand will feel like and be acting like when the strategy succeeds. I do that through the formation of a brand story that looks ahead to how the brand should be three years from now. I have found such a document keeps everyone very focused on the outcome and quickly shows when things are going off-track from a perceptive/receptive point of view.

Back up the story with clear numbers. At Audacity, we look to put a measurement framework in place that quantifies the story in terms of how things should track across a range of agreed metrics. Doing this enables decision makers to plot how a brand is progressing and to take corrective actions if things go off-kilter.

The story plots sentiment. The measurement framework plots numbers.

6. Resist the urge to herd. This idea is little short of comfort-food for marketing decision makers, so we won’t dwell on this one. But Roxburgh makes one point here that is well worth noting: “Some actions may be necessary to match the competition … But these are not unique sources of strategic advantage, and finding such sources is what strategy is all about.”

I think a worrying mistake that decision makers make is that they assume that once they have signed off the strategy, it will deliver advantage for the foreseeable future. Not true of course. As VJ Govindarajan has pointed out many times, a strategy’s effectiveness starts to fade the moment it is created. Why? Because once it is made public, and proven to be successful, the herd will inevitably adopt. The strategies of today are the hygiene factors of tomorrow – and the transition time from distinctive to indistinguishable continues to shorten.

What I also try and do:

Find ways to distinctualise your brand that then force others to play by your rules. The company that drives successful change in a market decides successful change in a market. In the strategy, look for ways to define the market atmosphere that work in your favour, and that actively work against a competitor trying to do the same thing. My friend Keith Rushbrook has a great question that he asks a strategy team to get them to that point, “What can we be or do that our competitors can’t be or do, and if they try, that’ll work to our advantage?”

Apple is a past master at entering a market after the initial forays, changing the rules, and then getting everyone else to play catch-up. As I’ve said elsewhere, “The most powerful brand you can own and manage is one where you know and write the code – not one that takes its cues from where others are, or where you perceive them to be.” Conversely, if you are the brand that everyone takes its cues from, you get to play to your strengths and your agenda, and your competitors can only follow.

7. Less will change than you expect. Humans misestimate future hedonic states. In other words, people are bad at estimating how much pleasure or pain they will feel if their circumstances change dramatically. Roxburgh says that people adjust surprisingly quickly even to major change, and that their level of pleasure (hedonic state) ends up, broadly, where it was before. Even acts that at the time seem revolutionary and highly disruptive emotionally will soon become the new normal.

Equally, within a culture, ideas that trigger predictions that they will generate huge difference to the company or to its culture seldom have as big an impact as predicted. Outrageous is often just a synonym for ‘too early’. If everything else is right, the concern that ‘our people will find it hard to adjust’ has been proven time and again to be incorrect. Yes, people will have misgivings – initially anyway – but they will soon adapt to what’s required.

Roxburgh suggests:

  • Keep things in perspective.
  • Navigate the inevitable swings in emotion and morale as people adjust to change.

8. Remember that the strategist’s role is to counter-balance the consensus bias. Let them do that. But then challenge them back. Roxburgh says people tend to overestimate the extent to which others share their views, beliefs, and experiences. He gives four examples of the false-consensus effect:

  • Confirmation bias – the tendency to seek out opinions and facts that support our own beliefs and hypotheses
  • Selective recall – remembering only facts and experiences that reinforce our assumptions
  • Biased evaluation – accepting evidence that supports personal hypotheses, while rejecting  contradictory evidence.
  • Groupthink – simply agreeing with those around us

By way of examples, he quotes classic lines one might hear from a CEO working from a false consensus basis:

  • “the executive team is 100 percent behind the new strategy” (groupthink)
  • “the chairman and the board are fully supportive and they all agree with our strategy” (false consensus)
  • “I’ve heard only good things from dealers and customers about our new product range” (selective recall)

False consensus is pernicious, says Roxburgh, because it can lead strategists to miss important threats and to persist with doomed strategies.

He suggests:

  • Put all ideas up for review. Create a culture of open challenge and constructive debate within management teams where reviews are welcomed as helpful, not hostile, acts.
  • Seek out and debate contrary views so that they have been considered. Even establish a “challenger team” to identify the flaws.

Final thoughts

I agree wholeheartedly. Whilst it may be hard for strategists to have the ideas they have worked on so hard picked apart by colleagues, it’s much more dangerous to leave ideas unlitigated. Debate is healthy providing it remains focused on the business outcomes and everyone is committed to finding real answers and not simply looking to issue ‘restraining orders’.

To close, a thought for strategists taking part in these processes. It’s never easy being the ideas person. It requires sustained energy and confidence, and you won’t get everything right all of the time, but then, as Roxburgh shows, neither will those around you.

Lessons from an unnoticed violinist

English: Violinist Joshua Bell following a per...

Violinist Joshua Bell following a performance at the San Francisco Symphony in California. (Photo credit: Wikipedia)

I’ve always loved the story of Joshua Bell playing the Bach pieces largely unnoticed in the Washington metro station. Please watch the video if you don’t know the story. And while the experiment does indeed confirm that we don’t take the time to appreciate as much as we should, more particularly, it’s also a poignant example of the contributions of context and information to our everyday decision making.

Context provides so much of how we read situations. No-one expects to see a concert violinist playing at a station – and because no-one expects it, no-one notices what he is doing, regardless of the extraordinary quality, and even fewer reward it. In that setting, in the blink of an eye that people evaluate, he’s just another musician, just another busker. If he was that good, many people would have subconsciously thought, he wouldn’t be playing here. So if he had played in another setting, even if it wasn’t a concert hall, would that have given his performance greater credibility for those passing by? Quite possibly.

There’s always competition. Whether you win or not depends on your ability to flourish in the prevalent operating conditions. In a concert hall, Mr Bell stands head and shoulders above most. In that context, he is at the top of his game. But in the context of a metro station, Mr Bell was uncompetitive. That is absolutely no reflection on his immense talents. The operating environment in a metro station is centred around time. The driving dynamic is rush. Mr Bell’s requirement that in order to appreciate what he was playing one had to pause for a moment and pay attention was incompatible with the environment and with the dynamic of that particular environment at that time of day. The destinational impulse of commuters completely overrode their cultural impulse. One could well say that was to their cost – but in reality, most clearly didn’t care.

What you make is actually less important than what you market. I wonder if it would have made any difference if Mr Bell had played alongside a sign that provided his credentials? Because then the perceptive dynamic would have changed markedly – from “another busker” to “free concert by an international musician”. Without information, without “marketing” most people, most companies and most brands are just anyone to everyone else. Mr Bell makes some of the sweetest and most skilfully played music in the world, but until people can see why someone like him deserves attention, he won’t gain most people’s interest or time. Today, everyone, including consumers, starts with “No”. It’s their fastest and simplest filter.

For every marketer who has felt like Mr Bell must have felt that day, three questions to ponder on:

1. Does the context in which people see what you offer provide the right signals – or does it telegraph all the wrong things about you?

2. What is the most powerful dynamic for buyers in your sector – and how are you addressing that in ways that make you the best answer?

3. In your marketing communications, have you really told people what they need to hear in order to say “yes” to you?

From Prussia with love

Jeremy referred me to this fabulous presentation by Rory Sutherland, and it’s another corker from the man from Ogilvy’s. Mr Sutherland would absolutely make my short list of people to sit next to at dinner. Not only is he an adamant supporter of one of my favourite disciplines, behavioural economics, but his talks are peppered with the most wonderful references and observations.

In this speech, he gives a wonderful example of how physical value can be transformed into an intangible value that defies costs, but only if the associations are powerful and valued enough. Examples abound of this dynamic working the other way (items being sold for, or even below cost) but the Prussian medal example Sutherland gives is proof that cast iron can indeed be worth more than gold if the story that surrounds the lesser metal gives it greater value, and providing of course that those seeing the cast iron medal also understand the context of why it carries the value it does.

Sutherland goes on to direct this argument at the environmental movement. The secret to changing how people drive, he suggests, is not to get them to drive less but to encourage them to revalue in sufficient numbers what they drive. In other words, make it feel worth more, status-wise, amongst the driving population to rent a small car than drive a big car – even though the bigger car has intrinsically more value.

The science of the age, he suggests is getting to grips with how and why people behave the ways they do, because the only ways to bring about meaningful change are to provide people with reasons that make sense for them. Those last two words here are key. The reasons don’t have to make sense logically – but they absolutely must make sense behaviourally. They must compel a different way of acting.

And while everyone loves to think big, Sutherland continues, more and more as marketers we should dare to be trivial, because “quite a lot of human behaviour is predicated on very small signals”. The examples he gives of the $300 million website button and the carmaker trade-in arrangement that reaped another 20,000 sales reveal why there is value beyond all proportion in being able to identify and transmit those signals.

Key take-outs for me:

In order to change the value, you must change the context within which that value is judged. In the case of the Prussians, post-war gold was worth less than post-war cast iron because of what a cast iron medal had come to represent.

Value is aligned to mass. Enough people must agree between themselves that the value has changed in order for that idea to take hold and gain recognition.

Together context and perceived value can ‘rationalise’ a change in how an item is viewed even if the item itself hasn’t altered. When that change is downward, of course, we refer to it as commoditisation. What Sutherland shows is that it can also work in reverse, if, if there is enough critical mass.

Behaviours are prompted by signals. The bigger the change in behaviour, the more human, and therefore “trivial”, the signal should be. The value that such signals can generate has the potential to be completely out of proportion to what appears to have changed.

Sutherland’s talk prompts me to hypothesise that any discussion around changing perceived value should probably hinge on three questions:

1. What’s the context that we need to change?

2. What do we want people to say to each other in order to change the value?

3. What’s the smallest and simplest behavioural signal we can identify to trigger this change?

More reading

The strategy of radical beauty
The death of demographics. Does it matter?
Maintaining brand loyalty: 4 ways brands get it wrong
Brand dynamics: the shapeshifting of brand likeability

Further perspectives

Sustainability: Being good, not just doing good

Historically, corporate social responsibility has put the emphasis on how businesses are doing good. It’s become an increasingly varied checklist of “things we’ve done right”. Today though, socially aware audiences want more. They increasingly make judgments about you based on your overall likeability. They want to do business with brands that are good.

And that in turn means that, at a social level, your reputation depends less on your ability to simply highlight good works done in isolation (through community activities or sponsorships for example), and much more on your ability to show that you are inherently principled in your dealings and that you behave consistently across your organisation in ways that align with your social and commercial reputation.

That shift in the significance of social actions has a downstream effect on critical social initiatives such as sustainability. In my opinion, they should no longer be seen as nice-to-haves or even as opportunities to improve efficiencies across your supply chain. Rather, the actions you take in these areas are competitive opportunities to distinguish your company from others. Your social actions help define and demonstrate your ‘moral compass’ – and in positioning you as transparent, consistent, reliable and principled, they add value to dealing with you. They also help swing the dialogue, and therefore the consideration set, away from just price.

People like good brands. They trust them. They believe them. They see value in them. They see them as the counter to unethical behaviours. Subconciously, they look for opportunities to favour them. For those reasons, good brands carry lower “social risk”. They are less likely to draw adverse reaction, less likely to make the news for all the wrong reasons, much less likely to have their actions and motivations questioned.

But – and it’s a very important but – your social actions will only work to reinforce your standing as a business that is good to do business with if they are communicated in ways that directly link how you act with what customers can expect. With sustainability now treated virtually as a compliance matter in so many B2B exchanges, and expected by customers as part of how business is now done, the temptation, as I alluded to earlier, is to rattle off a list of “social” achievements and consider the boxes ticked. That in my view is an opportunity wasted. Rather than treating your sustainability actions as a list of initiatives, I suggest you look to present what you are doing as intrinsic social proof for why you deserve preference; for why you’ve earned the status of “a good brand” amongst the people who buy from you.

Take a food company with a sincere commitment to deep traceability in its supply chain. The temptation is to report on where ingredients were sourced and perhaps to elaborate on what standards were met. Such a description explains how the company approaches sustainability but does not do full justice to its actions. The real opportunity lies in explaining why the business went looking for such alternative sourcing in the first place and how that commitment aligns with their wider motivations to do the right thing. In other words, if you are that food company, don’t just tell your customers that you buy ethically. Tell them why you buy ethically, why your ethical stance is unique, how that aligns with the real actions that need to be taken, and what that says about your brand more broadly. Traceability should be aligned with the business’s worldview.

Two thoughts to close:

1. If you are investing in social actions such as traceability, diversity and sustainability, do so because they fit with who you are, and be proud of that. Make them an intrinsic expression of your DNA, not just something you do to fit in alongside everyone else.

2. If you’re concerned that you haven’t taken full competitive advantage of these actions, try testing the market effectiveness of your actions with some searching lines of enquiry. In the case of your sustainability story, consider this question, asked from the point of view of your customers: “When we bought from you – what changed in the world, how did you make that happen, why does that matter to me, and why will buying from you ensure things continue to improve?”

Your responses, told well, can certainly form part of the proof that you are better, in every sense, than your competitors.

More reading

Time to rethink the business model of some NGO brands?
The portfolio approach to strategy

The power of being purposeful

Other perspectives

The strategy of radical beauty

Should you climb a mountain because it’s there, or because you believe you have a more than reasonable chance of conquering it? In a commercial setting at least, I’ll plumb for B – because presence alone is not a rational reason to participate. I continue to be intrigued though by the human instinct to believe that the odds are there for beating. I watch brands plunge into markets where they honestly believe they can do what others have failed to do for no other reason than that they believe in themselves and/or they have little respect for the current participants.

Believing in your own brilliance and/or relying on the incompetence of others however, as Michael Porter reminds us, is not a strategy. In fact, it’s nothing short of a gamble.

In a wonderful article on “How strategists lead”, Professor Cynthia Montgomery of the Harvard Business School gives a telling example of how some great companies have fancied their chances in the furniture manufacturing sector, only to become a cropper. They have, she says, looked to invest in a sector which, on analysis, has deep fragmentation, poor marketing, low brand awareness, high competition, high transportation costs, low productivity, eroding prices, fast imitation, slow growth and low returns.

Tellingly, all the companies cited in her article entered the sector believing they could change it, and all have since left.

Professor Montgomery’s point? That “the competitive forces at work in your industry determine some (and perhaps much) of your company’s performance”. In other words, if you fail as a brand to truly appreciate the forces working against you, you essentially fail to account for how and why you will beat them at their own game. In the case of the furniture manufacturing sector, what Montgomery’s analysis shows is there is no money to be had in this sector. It’s inherently unprofitable, so “The strategist must understand such forces, how they affect the playing field where competition takes place, and the likelihood that his or her plan has what it takes to flourish in those circumstances.”

Critical word here – flourish. As in out-perform, not just participate in, or even improve on. Without a deliberate and measured plan to actually redefine how business can be done profitably in a sector, brands are in effect simply adding their roll-call of products to an already crowded beauty parade in what may well be an “unhelpful” competitive environment. What’s missing, as Montgomery so rightly points out, is “a brutally frank and open confrontation of the facts”. You can’t win in the furniture manufacturing sector by simply being another furniture manufacturer. Unless you are prepared to turn all the rules on their head, as IKEA did, the incumbent market forces will inherently work against you.

The role of the strategist is to find “radical beauty” – an idea/product/approach/model that fulfils everything customers are really looking for and at the same time is sufficiently distanced from the status quo to defy conventional sector limitations.

The global coffee market doesn’t need another coffee brand. The global airline industry doesn’t need another airline. The world doesn’t need any more ad agencies. Unless you actively plan to bring something radically beautiful to those markets that others haven’t brought and can’t instantly bring (at the first sign of your success), stay off the mountain.

More reading

Crunching on cacti
Not a problem: success pivots on what you solve, not just what you know
Brand dynamics: the shapeshifting of brand likeability
Twinkle, twinkle, twinkle …
The business of cloning
You can’t lead as a brand if you follow another brand
Great brands unearth

Additional perspectives

Time looks at whether Virgin America’s strategy is right for the times. Virgin America: Why an Airline that Travelers Love is Failing

15 reasons why “no-one else has complained”

1.     They didn’t have time
2.     They couldn’t be bothered
3.     They didn’t want to interact with you a moment longer than they had to
4.     They didn’t know how to complain (because you didn’t make it easy)
5.     They didn’t feel they could talk to you
6.     They didn’t think you could change
7.     They didn’t think you would care
8.     They didn’t think it would make any difference for anyone else
9.     They didn’t think you’d listen
10.  They thought you’d be rude and defensive
11.   They think you’re incompetent
12.   They don’t like you
13.   They never intend coming back
14.   They want you to fail
15.   They’ve already told all their friends to avoid you via social media

More reading

The death of demographics? Does it matter?

English: A typical "As seen on TV" l...

(Photo credit: Wikipedia)

A new study by Catalina Marketing appears to cast significant doubt over a veritable pillar of media marketing. Demographic targeting, it seems, often falls wide of the mark. Catalina researchers looked at 10 brands targeted at households headed by women ages 25 to 54. They found that, on average, just 15 percent of the ads playing in those households reach the people that account for 80 percent of sales.

Wow. On the face of it, that’s some shortfall.

The clear take-out seems to be that demographics, in a media planning sense, may not be an accurate indicator of purchasing behaviours. According to the study, 53% of a brand’s sales volume, on average, came from outside its demographic target, with the remaining 47% of sales volume coming from people that the brand was actively targeting. Of the products studied, yoghurt was split 50:50 between targeted and untargeted; mayonnaise was 60:40 in favour of being bought by those outside the demographic target. The average brand in the study delivered 30 percent of exposures to households that were inactive in the category, meaning they never bought in the category or had bought just one time throughout the 12-month study period.

So what should we make of this? Well, for a start, no-one should be surprised. After all, it was John Wanamaker who, famously pointed out, that “Half the money I spend on advertising is wasted; the trouble is I don’t know which half.” Here perhaps is the proof that he was surprisingly accurate.

And yet, for all its inaccuracies, advertising, particularly TV advertising, has a powerful role to play for brands.

Why? If it doesn’t just reach who it’s meant to reach a lot of the time, how can anyone justify the expenditure?

The real answer, I would suggest, is the inverse of what the numbers might suggest. There is no doubt in my mind that media-based TV advertising delivers far more than presence to a specific audience. Done properly, it generates presence in a market, and that presence I would suggest is far more powerful and persuasive precisely because it reaches beyond a specific age-defined audience.

(Anyway, the demographics that get bandied about are stupid. How can anyone bracket a 25 year old and a 54 year old in the same group and call it a “target audience”? There’s nothing focused about it.)

Television is a broadcast media for a reason. It works not just because of who it targets, but because of who it reaches. And by that, I mean it achieves awareness (and generates conversation) far beyond who it is purely intended for. The very point that Catalina have identified as a weakness is also TV advertising’s greatest strength. Strong advertising generates talking points beyond its immediate buying audience – and that’s a good thing. That “leakage” gives strong advertising presence, familiarity and, most critically of all, the potential for interactivity. The wish to share is part of how iconic ideas become part of the culture, part of the social exchange.

A marketer these days, I would suggest, should not even be trying to hit a static buyer at a set time through a set medium with a set message. Their greatest challenge is not even who they reach – but what they reach people with, and how intensely that motivates viewers to reach out and share what they have seen with others through the plethora of media now available to all consumers.

Sadly, looking at TV breaks today, one would have to ask where have so many of the true marketers gone? Where are the people with the intrinsic understanding of the ideas that buyers want to excitedly share with non-buyers? Bring more of them back please. Give them the budget to do what they do, please. Make them the perfectionists that push their agencies to get the very best out of their advertising please.

Those people are certainly not commissioning most of the advertising I’m seeing. They’ve been largely replaced it seems by sponsors of fairground barking who have transformed media-based advertising for the most part into 15 minutes of unrestrained shouting per hour.

That may take place on TV, but that’s not advertising. That’s narrowcast barracking.

More reading

Other perspectives